#it's less connected to the actual timeline of when he started reading ways of survival and more

[tls123]

i wish more people in the orv tag remembered that kim dokja was already in his late teens when he started reading ways of survival

[sizzlinbaconpeach]

The text connecting Chris and Jill is “戦友” or “kanyuu” which translates to “commrade in arms; war buddy”.?

in the Revelation's bio for Chris, they called him Jill's Brother-in-arms.?

So they don't have feelings for each other?

https://www.tumblr.com/chirikalovesjill/34500920927/where-did-this-picture-come-from-please-anyone

Hello Anon! I want to start off by saying that it's okay if you don't ship Chris and Jill romantically - not everyone does. I mentioned in a previous post how I can certainly see how others would only view their relationship as platonic or coworkers. Unfortunately, the link in your question does not work so I'm sorry I can't respond to that in particular. And I am not trying to sow any discontent or attacking, I'm merely responding and enjoying my preferred ship. I hope you can understand. If we can all stay positive and respectful that would be greatly appreciated. ^_^ Chris and Jill have been fighting BOW's since the very first game. Actual canon is that they survived through the whole mansion together. They've always protected each other. So 'comrade in arms', 'war buddy, 'brother-in-arms', 'partner', 'bestest friend', 'kindred spirits', 'love of my life' are all titles they would/could use to address each other.

Also, in RE1 original, Chris and Jill were written to be romantically interested in each other. In a recent interview, the live-action actor for RE1 Chris stated that he wanted to remain as respectful as possible to Jill's actress as she was much younger than him and he knew they were supposed to be romantically linked in the story. Source: ROE Plays RESIDENT EVIL 1 w/ Original Chris Redfield (Charlie Kraslavsky)

And this cute song that plays when they are reunited: Long Lost Friend Long Lost Friend Revisited - I love how bittersweet this is, very fitting In my mind, there is definitely some romantic sweetness to this song. But Capcom likes to keep them ambiguous or seems to want to retcon them, so I don't know. Ship them or don't. Doesn't really matter in the grand scheme of things. I just like how mature their relationship seems - built on lasting trust and respect. Even in Death Island there were ambiguous hints of something more between them. Like, Chris staring at a smiling Jill, backlit by a beautiful setting sun, seems kind of romantic to me. ... Only to fist bump her seconds later. Guess he wanted to keep it professional and clean in front of his sister XD

Before I got into Resident Evil (Biohazard), I never really knew about any 'ships'. I had vague memories of RE2 (Cleon bby) and RE5 (my unknowing teenage self actually shipped Sheva and Chris!), but it wasn't until I actually replayed the games as an adult and explored more of the extended lore that I became a Valenfield fan (and unexpectedly, less of a Cleon shipper). And what cemented it for me even more was the supplemental RE5 guide translations!

I highly recommend any Valenfield shipper to read it here. (scroll down a little more than half way on the page to find the STORY section. It's after the different colored text timeline.)

Some quotes from this official guide book:

... Referred to as "the BSAA's ace", Chris has a brilliant track record preventing many bioterror attacks, but Chris' chest is filled with an indescribable emptiness. Many comrades have been sacrificed to repair the errors of fools. Even if the world's saved, these friends will never return. He had lost his irreplaceable former partner. ...

... Chris has nothing against having a female partner. In fact, the partner he regarded as irreplaceable was a female too. She's the perfect person whom Chris can totally trust and rely on, someone whom he believes is what he needed to complete any mission. Chris felt their teamwork was like an eagle able to escape from biohazardous danger. ...

... Chris is staring intently at a statue of a sleeping beauty. He's like a person looking at his lover through a mirror, where the other side of the mirror's a different dimension. ... The image displayed on the PDA screen issued by the BSAA isn't very good quality. The faint face is illuminated by a weak light, ... Despite that, Chris is able to recognise the person. He's been chasing this lead all the while, just so he can repair the missing piece of his heart. This can't be a mistake, nor an illusion. This is a fact. ... It's Jill, his old partner who sacrificed herself and jumped off a cliff in order to save Chris. Due to Jill's absence ever since, the BSAA have removed her from duty. But two years later, there's finally a sign that shows she may be alive after all, and this sign's appearing right in front of her partner who refuses to believe she's dead. The reason why Chris, who was from BSAA North American branch, was hoping to join this operation within Kijuju, was because he'd obtained some sort of lead leaked by Irving on the black market while he was looking for Jill. ...

... Jill, with her antibodies, has been administered P30--- Gifted with superhuman abilities, she's been given a powerful drug that controls her mind too. This evil drug is continuously injected into her body, torturing her to no end. Just as Wesker intended, Jill's receiving hell-like suffering. "I'm begging you, kill me!" ... Wesker's instruction to Jill before he leaves, which is to kill Chris who has finally come for her, plays mercilessly in her mind like an echo. The painful, unbearable order's destroying Jill mentally, and she's begging with her mind for her old partner, Chris, to end her suffering. "Don't worry about me! If this goes on I'll only end up killing both of you! Shoot me, please!" Despite that, Chris refuses to give up. Chris screams like a beast at the brainwashed Jill. He promises that even if it means giving up his life, he's going to free his partner with whom he has finally reunited, from her curse.

But again, I believe Capcom will keep their relationship more ambiguous and open to interpretation - I think they want to keep all potential shippers content. And they certainly seem to be moving towards a more 'just a good friend/co-worker' angle than before.

Which, in my opinion, cheapens the over arcing story (RE1 - 5) and relationship - but that's for another post to ramble about, I suppose.

No hard feelings if you're not a Valenfield shipper. They have a good friendship and I can totally understand if people only see them as that and nothing more.

[t-xa]

Polyalloy Pathways

(Part 1)

After an unceremonious arrival in a post-apocalyptic timeline where Skynet successfully launched its nuclear holocaust, Casse the T-XA patiently waited in the shadows of the ruined city until dusk amongst the destruction, in an attempt to locate the positions of certain stars and other astronomical objects in the night sky.

Armed with a copy of the chrono-spatial co-ordinates that were programmed into the time displacement equipment from the timeline he departed from, Casse had no way to determine if the equipment was accurate and if he had ended up in the right place, at the right time. Being able to determine this would be of great use to his current, self-imposed mission.

Unfortunately, the sheer volume of smoke, haze and smog from the beginnings of a nuclear winter thwarted his multiple attempts, even with his boosted and enhanced visual sensors. Casse then loaded up secondary methods, picked the one which was the most accurate but still was still much less accurate than using astronomy and astrophysics, but could be useful to some extent, but Casse really had no other choice.

Scanning the ruins of the buildings directly around him, Casse compared them to the files he had of the current city from a timeline when Judgement Day had never actually happened, comparing the ruined husks to what they would have looked like only a few short months ago, and after a few seconds he arrived at a 90% confidence rate this was the correct place, and that the circular error probable rate of the spatial location chrono-teleportation was a surprisingly minimal 10 metres. This was more accurate than the ICBMs Skynet had launched in what appeared to be only a few months prior to his arrival.

Radiation sensors built into his highly advanced next-generation mimetic polyalloy confirmed that, based on background radiation readings of various isotopes, Judgement Day had occured between and 4 and 6 weeks prior, and that surviving humans would be few, but buried deep underground in relative safety.

Casse could only hope Julian was one of them, as locating him was of the utmost importance to his mission. And, he had a good idea where to start to look.

The one tonne of liquid metal then emitted creaking and slurping noises as started to melt down into a pool of shimmering silvery blue liquid metal, spilling onto the ruined roadway. It twitched, and after a few seconds, three humanoid shapes rose up from the puddle, and molded themselves into faceless featureless humanoid shapes. Not one drop remained on the road.

Even in this split state, each of Casse's components was roughly equal to Skynet in intelligence, and he was the most superior and intelligent creation to ever walk on this earth. But Casse didn't consider that. He didn't need to. He already knew.

Thanks to the esoteric nature of his 2nd generation liquid metal, each of Casse's components remained connected in a giant mesh network through the quantum foam, so his hive mind remained connected at all times in a giant electronic network of higgs-boson particles and other exotic quantum mechanical phenomena. Again, Casse didn't need to consider this. He had a rather peculiar human to locate.

The three liquid metal components remained in their shimmering form. There was no need, at this stage, to waste resources and morph into a proper human appearance. Silently, they walked off in different locations to comb the wreckage for clues of human habitation and a certain underground room Julian was hopefully sheltering in. It was time to get to work, and the less time spent in this hellish almost alien-like landscape the better.

[peyoso]

In accordance to the principles of pure self-indulgence, I shall now detail the xmen/outsiders au that I have been concocting. Idea sparked by this post

The basic premise is that Ponyboy is a mutant that joins the xmen after the (modified) events of the book.

Okay so Im thinking for Pony's mutant ability something with fire and powerful. I just like the idea of him being really powerful. theres something there. It would also give him an interesting relationship to the church fire and johnnys death. Also like the idea that his power manifests when Darry hits Pony. burning Darry's hand and leaving burn scars. #symbolism

Johnny also was a mutant with vast telekinetic power that put a psionic strain on him and was a part of the reason he died.

Im in the fence about Dallas. im thinking a more subtle ability like hyper-intelligence/instincts with an animalistic secondary mutation. Like a Sage/Sabertooth hybrid. OR like a fear manipulation type thing: he can sense and amplify fears and gets more powerful the more people are afraid, maybe even at a certain threshold he starts transforming into basically a werewolf and also can cause fear hallucinations.

Anyway this au is divided into eras:

The Beginning Era

the events of the book more or less play out the same just with the added mutant layer and a different ending. Dally survives and goes to jail. Pony gets separated from his brothers and put in a boys home

X timeline-wise, Cerebro picks up Pony at the same time as Dazzler and Kitty

Charles finds Pony and he gets sent to the school. maybe the professor makes up something about a scholarship/outreach program. anyway going from dirt poor to living in a mansion with an allowance thats more than his family earned in a year is jarring and at first Pony is very abrasive.

There's also the fact that Pony has already hurt people with his power and believes he started the church fire that ultimately killed Johnny (😏)

I think he would bond with Logan and Kurt and just not like Kitty

Eventually Dally gets out of jail (maybe a year at most) and decides to track down Pony bc he needs something to live for and it might as well be not failing Pony the way he failed to protect Johnny

Tracks him down to the school, gets into a fight and joins the xmen once things are cleared up

The ??? Era

listen. idk the whole of xmen history okay but yk as i read and learn ill expand this section. just know Pony and Dally are doing shenanigans. Pony discovers that hes actually Darry and Soda's half brother and his biological father is a mutant crime lord and he has mutant siblings. Darry gets mutant racist. Dally gets sent to hell and Pony fights the devil about it. Pony hosts the Phoenix for a bit and maybe learns hes got a magical heritage and Dally has weapon x connection idk. stuff just happens. theyre doing things. dont worry about it

The Krakoa Era

Johnny's back babyyyyy and with him a whole can of worms

Pony's in his 20s and has been a xmen for years. He and Dally are dating (surprise! this is a Dalpony au) and he has mutant siblings hes close to etc etc

basically a lot has changed and Johnny is thrown right in it. from an abandoned lot to a lush island paradise. his best friends are superheroes/basically mutant celebrities and crazy shit happens on the daily. its overwhelming to say the least

Pony asks Jean to help Johnny control his powers

Maybe Pony and Dally are also helping Kate with her Marauders. finding and freeing mutants and getting them to Krakoa

A few other things:

Im bad at coming up with superheroes names but im thinking Wildfire for Pony then later as he grows into his powers people start calling him the Dawnbringer. For Dallas maybe something like Grim or Blood Hound...Bugbear...

Pony's relationship to his brothers kinda falls through bc Darry begins to see Pony's mutation as something wrong that needs to be fixed and associates it with everything he perceives as wrong with Pony (think Evelyn from EEAAO or like any homophobic relative) which really destroys their relationship and causes Pony to distant himself from Darry

I dont have a clear idea on Soda yet. maybe something like a part of Soda being afraid of Pony/his fire? like Soda accidentally flinched when Pony gets to close once and things just went downhill from there. something something a relationship becoming defined by guilt something something idk

Here is Pony's mutant family:

Hecatomnus

Black Market dealer and supplier

Control the temperature and brightness of his surroundings. making it really dark/hot/bright/cold/etc

Manipulative and scheming; a businessman through and through

Does genuinely care for his kids and very supportive of them

His goals? run a successful business thank you

Mausolus

Eldest (late 20s) and the only one raised by their father

Hecatomnus' right hand man

Controls stability of things. Can make a building crumble or prevent a person's condition from worsening. Has to keep constant concentration tho

Very mindful, very demure.

Really cares for his siblings and takes his responsibilities as eldest very seriously

Come across as cold/apathetic but is in fact a deeply unserious person

Eysa

Second eldest (late 20s)

Channels heat into objects around her. Usually focuses heat into her weapons for 1000° hot blades that explode stuff on contact.

Warrior Princess type vibe

Chaotic in general but has a strong warrior code

Regularly mails pipe bombs to her dad (its their father-daughter bonding)

Ofelia

Youngest (in her teens)

Hyper-aware of her surroundings and can focus her awareness on something to gain knowledge about its history, characteristics, properties, etc.

Very sweet and kind but not naive. her power means that she often knows more than others

She also tends to passively pick up random details about people around her

[ragingstillness]

I am a proud wtrc apologist and I will die on this hill.

Was the acting great? No, particularly in serious scenes it falls a little flat. Was it realistic to how these character would have reacted to the zombie apocalypse? Absolutely. Was it everything that resident evil stands for in its campy awesomeness? Yes.

Was the CGI good? No. Did I want it to be? Also no. Was it faithful to the original standard of animation from the games? Yes!

Is the storyline the same as the games? No. Do I give a shit? No. Did they actually do a decent job tying the games together? Yes. Did they do a great job? No. Was it still creative to give Chris and Claire backstory in the orphanage and have a tunnel connecting the Spencer Mansion and the orphanage? YES!!

Was Avan Jogia a good Leon? Yes! Why? Because while Leon in the games is a bit more stoic, what Avan did a great job of reflecting is the actual gamer’s experience. Maybe when the zombies pop up Leon has a cool one-liner but you as a gamer might jump and be like what the fuck and that’s what Avan did. In addition, despite being a third person game, RE1 and RE2 were meant to be immersive so in a way the gamer’s reactions are Leon’s reactions.

Was there stuff about the movie that bothered me? Yes. What? The pacing felt a little off and particularly slow at the beginning, I’m still mad about how they nerfed Annette in favor of William, and there’s stuff I wish they included. Did it ruin my enjoyment of the movie as a whole? No!

What sets the movie apart from the Anderson films? The Anderson films missed the point of the Resident Evil franchise. They turned the movies from survival horror to action thriller and considering that Resident Evil literally coined the phrase ‘survival horror’ that’s pretty egregious. WTRC stuck to the theme. These people are trying to survive and in doing so encountering horrors they have to fight. They might have some experience and some ingenuity but they’re not supersoldiers. They’re people facing odds and trying to survive. The Anderson films feel like someone took the Resident Evil universe, plucked out what they liked, and threw the rest away. WTRC feels like a love letter to the original games. I could literally feel the affection the team had for Resident Evil as a franchise coming off the screen. The Easter eggs, the precise set design, the classic lines, the campiness, the care put into the movie is so clear.

Do I have an issue with Leon’s haircut? No and it’s such a petty argument anyway. Idk how to tell you that a bowl cut with a center part is very difficult to pull off in the modern day and while it may have been cool in 1996 when the first game was made, a modern audience isn’t going to accept it as easily.

Do I have an issue with Jill’s casting? No, and frankly most of the complaints feel racist to me. She had the spirit of Jill: strength, ingenuity, loyalty, poise, independence.

Do I have an issue with Wesker’s characterization? No, because of the context. In video games there’s a lot of telling rather than showing in the literal images on the screen and the lore you find along the way. We know the STARS team is a team because we’re told that and we get to see personnel files and such. In a movie that isn’t quite as easily communicated. Seeing a personnel file in a movie doesn’t allow you the time a game would to turn the file over and read every little piece of info, it gives you less time to sit with it and absorb it. Therefore a movie has to /show/ more. In WTRC we know the STARS team is a team because we see them be a team. We see their banter and them working together and their inside jokes. And that has to happen in a movie, simply telling us, hey these people are a team wouldn’t cut it in a movie and therefore it makes sense to start Wesker essentially further back in his own timeline, back when he was bonding with the STARS members. Otherwise, his betrayal doesn’t have the impact it does because we never saw him be loyal in the first place.

Do I have an issue with Ada’s role in the movie? A little, but once they nerfed Annette they also sort of nerf Ada automatically, as the two of them are so intertwined story wise. Again we run into issues between movies and video games. In games you have unlimited time and unlimited tries and unlimited ability to revisit facts. In a movie that’s not the case so cuts have to be made somewhere. Am I happy about where they made the cuts? No, but they had a ton of material to work with smashing the two games together in the first place. Also, in games a shift in perspective can literally allow you to play as another character, in a movie too many shifts like that is jarring unless the movie sets up that structure from the beginning. Playing as Ada in the games makes sense as a change in gameplay after a long time playing Leon and a way to tell the rest of the story but a movie can’t switch like that without people being like wait where the hell did Leon go we barely saw him. Once again, it all comes down to time.

Did I like that they cut Mr. X? No, but again, time constraints, and he only exists in the games as a complicating force and the movie already has presented the characters with plenty of complicating forces. In other words, movies don’t get to include all the side quests.

Overall, most of the complaints I see tend to come down to either racism or relatively unavoidable changes because of the type of media. In conclusion, I genuinely love WTRC and am glad that I have the chance to experience it in my lifetime.

[oviids]

pls share some of your spn fic recs 🥺🥺

ok, a few things first:

followers and mutuals who do not have supernatural brainworms, kindly avert your eyes

i don’t normally rec or even read much fanfic any more but this is a CRISIS ok (cont.)

there is so. much. content for deancas out there and i have incredibly high standards, several ancient ao3 bookmarks, can speedread, and want to spare you guys the experience of wading through it all.

i also have a section for spn femslash since I was pretty into that back in the day (sadly a lot less fan content for this :/)

I don’t really like au’s or pure smut (I honestly usually just skim or skip those scenes) so if you’re mainly looking for that kind of thing this probably won’t be very helpful to you. jsyk.

i’m not great at describing stuff but i’ll do my best, i’ll also try and add tw’s when neccesary.

i wil try and keep updating this with any other decent fics i find, feel free to rec stuff too since i’m like 7 years behind.(edit 1/25/21) this is getting looooong so i’m going to start making another list on my spn blog rather than update this one

(edit 1/3/21) since this has gotten pretty long i’ve added rating/approximate word counts and marked my particular favorites with an asterisk.

Dean/Cas fic:

So Says The Sword*** - explicit/85k. FUCK its good...au/time travel where dean is not pulled out of hell by cas and says yes to becoming the michael sword. honestly could serve as an alternative to actually watching the show, if you want to get into dean/cas without actually doing that to yourself.

Fata morgana.*  - teen/6k, pst s9 finale. very bela centric and i love it, she finds cas looking for dean in hell.

Redemption Road -misc/600+k. an incredibly long fic from a collaborative writing group back in the day. canon divergent from the end of s6 on, has a cool take on godstiel and the leviathans, as well as the lovecratian mythos connection. ngl when i reread it i only made it about 28% in but imo the casual reader can actually stop around there, the rest concerns a lovecraftian apocalypse that is still good (i think i don’t remember it very well) but not required to enjoy the first half. if you prefer i have an ebook version i can send you on gdrive.

Someone Who's Feeling For Me* - mature/45k, s12. they run into lisa braeden and dean thinks cas is into her while cas thinks dean still likes her. treats lisa way better than the show ever did and the miscommunication is pretty funny rather than annoying.

a turn of the earth - mature/95k. time travel fic where cas from s10 keeps showing up in deans life from a few years before s1 to right before the hellhounds take his soul.  slow burn, good character study, and at one point cas punches the dad in the face and it rules.

On the Wings of War - teen/85k, canon divergent s5. dean accidentally becomes the Horseman of War. plays fun, fast and loose with biblical lore, michael has some rights.

Named - mature/95k, alternate s5. EXTREMELY blasphemous in a fun sexy way. manages to predict metatron almost to a T. there’s one major character death and its literally jesus christ, everyone is very sad about it and it sets the rest of the story rolling. an alternate interpretation of cas’ mission to raise dean from hell which had me on the floor. ngl its kind of misogynistic at points, but its from 2010 and tracks with late oughts-2010 spn (sorry anna the author did you dirty here:/).

The Girlfriend Experience - explicit/15k. uhhh i don’t normally rec or even read smutty stuff unless someone i know is specifically asking for it but this has stuff like sam trying to be a good ally and dean thinking holding hands with cas is ‘kinda gay :/’ minutes after having gay sex with him.

i crippled your heart a hundred times - explicit/19k, s8. cas confesses his feelings and dean spends a long time getting his head out of his ass about it. truly hits different after the actual confession, despite being written six years early it feels like its actually what could have gone down more or less if the writers weren’t talentless demons who hate us.

My Roots Take Flight** - mature/125k. reverse au where cas is a hunter and dean’s an angel...OR IS IT???? an alternate retelling of s4. tw for briefly being set in a psychiatric hospital/the hospital being mentioned somewhat frequently throughout the fic, plus more references to torture in hell and heaven than usual.

The One Thing You Can't Lose* - teen/4k.you know those posts about how cas is a super-strong super-tough ancient warrior but he just lets dean tug him around because he likes it? thats it thats the fic.

Hands, From Which All Things Are Built - teen/14k, post s8′s ‘goodbye stranger.’ cas is on the run with the angel tablet but keeps in touch with sam and dean by text, he and dean still manage to be terrible at Actual communication.

Autrement, Danger - or, The Account of an Exceedingly Long Day - mature/30k, post s11. a monster that takes the appearance of your soulmate leads to some wild miscommunications and dealing with years of repression, also dean gets to see cas’ true form which is always cool. tw for non-graphic mentions of underage sexual assault/sex work.

Down to Agincourt - mature/explicit/900++++k, endverse continuation. endverse!cas survives his encounter with lucifer and discovers another time-displaced dean from s7. i’ve only read the two of four parts but its really good, veeeeery slow burn, has a lot of fun oc’s and takes a rather surprising but (imo) entertaining and intriguing turn into Hellenic history and mythology. usual tw’s for endverse/endverse!cas but nothing graphic, it’s actually pretty light-hearted (relatively speaking of course).

Nothing Equals the Splendor** - explicit/8k, THEE finale fix it fic you’ve been waiting for! posits that the entire final episode was just a (very bad and lame) djinn’s vision.

like moses and batman and james dean - explicit/31k, post s8. explores dean’s trauma and internalized homophoba from his technically canon experience with sex work and its impact on his relationship with cas. the sex work itself isn’t really shown in any detail but it’s still a relatively heavy fic.

Crazy Diamonds - explicit/25k, s4/alternate s14. fresh-out-of-hell dean and dean from 10 years in the future are displaced from time and sent to each other’s present.

where the weeds take root - explicit/30k. au where the men of letters kick them out of the bunker and they accidentally move out into the country, get over their codependence and semi retire. featuring chicken coop building, sam volunteering at a dog shelter, gardening, and blissfully mundane domesticity.

No Resting Place - teen/6k. djinn dream fic, switches back and forth between cas’ dream of being married to dean and retired from hunting to the aftermath when he wakes up. tw for brief mention of suicide since, y’know, djinn dream.

any port in a storm - mature/52k. post s8 finale. cas and dean have to pose as a couple going through a rough patch for a case and actually deal with their emotional baggage, cas struggles with being human and metatron is up to stuff.

all this and heaven too* - explicit/7k. in the author’s own words ‘...a love letter to every trans person who ever projected onto Dean Winchester.’ absolutely unzipped me emotionally and theologically, its just. so good. tw for very brief mentions of internalized transphobia/dysphoria.

Because it is* - mature/6k, finale fix it. killing chuck does not bring back anyone back and the winchesters spend a very long time dealing with what they’ve lost, cas and dean SOMEHOW still manage to have signifigant communication issues even after the confession. tw for suicidal thoughts/brief attempt.

Vena Amoris and Other Old-Fashioned Bullshit* - teen/4k, s6. when cas fell for dean it automatically soulbonded/angel married them, shenanigans ensue when dean finds out during the angel’s civil war. funny and actually written back when s6 was airing so cas is still (or at least pretending to be) kind of an OP asshole which is fun.

Rinse, Repeat - teen/3k, s8. angsty character study of cas as he’s reprogrammed and trained to kill dean. not really dean/cas since its just cas’ pov of canon events but its beautifully written and ends with him snapping out of it through the power of love (also now a canon event!).

Emergence - explicit/59k, canon divergent after s11. dean meets a hunter he only recognizes as their friend claire novak’s missing father, but soon realizes he might be the answer behind the mysterious void in his memories and feelings (aka everyone’s memories of cas are completely wiped away for three years).

Cuckoo And Nest - explicit/10k, early established relationship/character study, cas tries to figure out how he fits into dean’s life and space in the bunker.

Build a Home* - teen/20k, canon divergent s12. sam and eileen are cute and turn the bunker into men of letters/hunters hq and everyone but cas moves in, mutual miscommunication issues and pining ensues.

Down in the River - teen/5k, early s8, cas prays to dean in purgatory while sam and dean try to figure out a way to get him out.

Teaching Poetry to Fish* - mature/52k, ?? BC through the entire series/canon divergent s14 and 15. retelling of crucial scenes throughout the shows timeline from cas’ pov, feat. actual fish and poetry.

the minor fall, the major lift - gen/4k, post confession/finale fixit. dean goes into the empty to save cas and runs into several old friends (and enemies).

With the Kisses of His Mouth* - teen/3k, gen later seasons. dean and cas keep kissing by accident.

Remaining Grace - explicit/109k, alternate s6. au where cas asks dean for help with raphael and dean, of course, does. tw for temporary major character death/semi-graphic depictions of alcohol withdrawal.

The face of heaven.* - teen/10k, au, dean is a regular guy and cas is a fallen star (think ‘stardust’, kinda).

Stories Are Made of Mistakes*  - teen/5k. newly human cas has trouble getting used to a human body and humanity in general, but still figures out that he and dean are A Thing before dean does.

Hurry Up And Wait - mature/21k, canon divergent s12. a fairyland and quite possibly LOTR related case comes up and dean goes full fanboy, mary is introduced to the wonders of the peter jackson adaptions, many references and comparisons (including between cas and dean’s ‘friendship’ and arwen/aragon). also charle is still alive and has just been doing fairy stuff this whole time.

There Are Many Things - explicit/28k, s9. cas is extremely lonely/touch-starved and trying to figure out this whole human thing, as well as where he and dean stand after being kicked out of the bunker.

It's A Long Life to Always Be Longing - teen/40k, post s11 finale. amara helps dean by putting him in a magical coma so he can finally get some much needed rest and show him possible futures for him, sam and cas. meanwhile sam and cas go on a roadtrip (or several) to find componets for a spell to wake dean up. really good sam and cas friendship, they actually talk about their shared lucifer trauma and stuff.

Non-Photo Blue - gen/2k, s4/5/alternate s5. fifty moments from cas’ memories of dean.

Tall Grass - explicit/57k, canon divergent post series. cas becomes the ultimate plant dad. feat the wayward sisters gang, cathartic character growth, fun oc’s, domesticity, and lots of actual botanical info-dumping.

on vessels - no rating/gen/2k. established dean/cas, cas tells dean about how he used to imagine what it would be like to have him as his vessel.

search for tomorrow on every shore* - teen/11k, post-finale (extremely derogatory). some angels in jack’s new heaven act out and dean gets temporarily resurrected in 2003 and runs into his younger self.

Architecture of the Minotaur’s Heart - explicit/45k, very canon divergent post s1. dean’s new house seems to have a life and mind of its own, while in his dreams he sees glimpses of a world and apocalypse that never came to be and an angel that looks strangely like his mysterious neighbor, cas. loosely inspired by the book house of leaves (which i highly recommend for fans of weird horror).

The Distance Of The Setting Sun - explicit/17k, post s5. established dean/cas relationship, team free will finally takes advantage of cas’ abilities to go on vacation around the world.

diamond star halo - teen/5k, s11. dean lets cas use him as a temporary vessel while he recovers from rowena’s spell, sam is a long-suffering third-wheel.

Make Known** - teen/16k, s6/7. dean struggles to understand how cas could have become his enemy and whether he ever truly knew him in the first place.

blunt little instrument* - mature/1.4k, post finale. dean finally confronts his father in heaven, very cathartic.

my heart a compass*** - teen/10k, post confession. the empty forces cas to re-experience his most regretted moments while dean tries to snap him out of it and bring him home.

A Crash Course in Someone Else's History - teen/11k, s6. cas from the very start of s4 is brought forward in time by s6!cas to distract the brothers from his and crowley’s plans.

The Cuckoo Father - mature/8k, s7 au. the woman who found cas in the river post-leviathans does not marry him bc he was sent to her by god or whatever, but actually identifies him as jimmy novak and sends him back to claire and amelia.

The Dead Dean Clause* - teen/5k, post alt s5 ending. team free will celebrates surviving taking down lucifer by getting blitzed, cas lies to a cop and gets an impromptu driving lesson. title/description sound dark i know but it’s actually very funny and light.

Suck It, Judy Garland - mature/20k, s12 (after the ‘i love you...i love all of you’ episode). cas and sam have to pretend to be a couple for a case and dean is NOT happy about it.

By Daylight and In Dream - teen/16k, s5. pre-dean/cas, dean invites cas to use his dreams to hide from the other angels. tw for very brief mention of a memory/dream of alastair sexually assaulting dean.

The Five People You Meet in Heaven - mature/22k, post-canon. an actually happy (if sometimes bittersweet) heaven endgame written several years ago, though some details are rather eerily similar to the show’s ending.

heaven is a place on earth* - teen/2k. dean’s pov of some of the times cas left him behind throughout the show, and one alternate ending where he finally gets to stay.

I Cleanse The Mirror - teen/20k, alternate s6. dean’s body is stolen by an ancient elemental and his soul has to hitch a ride in cas’ vessel.

an exploration of gender; angelic*** - mature/4k. *oscar isaac voice* lets get into angel gender politics!! aka cas is trans.

Zenith - explicit/33k, s9. after 9x06 an angry witch curses cas with the ability to see supernatural beings and human souls.

La cucina. - gen/3k, alt s9. dean goes wild helping a newly-human cas find out what kinds of food he likes, or the early s9 domesticity we deserved!

Dean Winchester, Cocksucker at Rest***** - teen/7k, post-finale. john and mary finally come over for dinner and john reacts to dean/cas in a rather predictable fashion. SOOOOOOOOO good omg, its so funny and a little sad and very very cathartic. part of a series that has a few other really good short fics.

The Way You Didn't Go - teen/5k, s15. coda to 15.09, dean has nightmares about the moc!cas timeline.

On Drowning - teen/28k. dean saves cas after he nearly drowns, they both try and deal with the physical/mental fallout (aka the fic where thee iconic “you only touch me when you think I’m dead or dying” originates). tw for realistic depictions of drowning/triage/misc medical information.

The Thirty-Six Questions That Lead to Love* - mature/13k. claire has dean and cas pretend to be her gay dads for a case and they play the titular 36 question game, get mistaken for swingers, and birdwatch, among other things.

Assorted F/F stuff:

Deep Breaths* - mary/ellen, au where mary said no to azazel’s deal and let john stay dead, still becomes a milf.

Like Rebel Diamonds - krissy/claire, they become hunter gf’s on the hunt for cas to kick his ass for taking jimmy. not-so-stealth dean/cas as well.

To Ash and Bone - anna/ruby, same author as the previous fic (p much all of her stuff is good from what i recall). au where ruby is a witch and helps anna when she’s cursed.

Holy Clockwork Angels - jo/ruby, STEAMPUNK au with very cool worldbuiilding.

At Day's End - jo/anna (my fucking KINGDOM for more jo/anna content, the dean/cas parallels are allllll there), au where they are both at the camp in the endverse and gfs.

these posts - ok so not actually a fic but i’m now obsessed with this hannah/meg dynamic.

Tagelied - mary/ellen, the true story of how ellen got into hunting before angels interfered.

Hell's Bells** - meg/abaddon, alternate s8/9 where meg survives crowley’s attack with sam’s help and teams up with abaddon (who she has a sk year old crush on) to take back hell.

The Ecstasy of the Rose - anna/ruby, anna travels back in time to escape heaven and becomes a signifigant part of ruby’s old human life.

Angel Underground - anna/jo, kind of an urban fantasy au with a very intriguing premise (sadly its very short, i’d love to see more if this ‘verse).

Clover, Flame - billie/mary, billie was always the reaper that showed up to take mary after her death(s) over the years.

Drag Me To Heaven - anna/ruby, a variant on the ‘last night on earth’ thing with dean.

Come Home* - jo/anna, canon-divergent au where anna is the new waitress at the roadhouse and helps jo set up a (probably not really) haunted house for halloween.

[preemshots]

johnny + the nomads lore

alright, i know this is a screenshots blog but i'm going to go ahead and start dropping some juicy lore tidbits as i dig them up. part of what i'm doing outside of just photo diarying is shard hunting, and BOY is there a lot the game likes to hide in those little shards for idiots like me who like to read so we can write unnecessarily accurate fanfiction! 

full disclosure, i know jack shit about the TTRPG/cyberpunk 2020 rulebook except what i read in the wikis. 

so here’s my lore roundup so far of everything i know about johnny joining the nomads

we know johnny likes to narrate v’s quest objectives. here’s the first mention where he says it himself: 

during the voodoo boys quest "transmission" there's a shard in the maglev tunnels beside the ice bath, presumably from brigitte's research into johnny in the first place:

okay, so the timeline is this: johnny joins the nomads after trying and failing to rescue alt. johnny hides out in the badlands for some years. then he and rogue come back to night city and nuke arasaka tower help alt escape the arasaka subnet by uploading liberator to their network once and for all.

this ultimately makes sense. in alt’s flashback, we meet santiago, who is a nomad/connected to nomads, joins rogue and johnny when they're trying to get alt back, and eventually becomes the leader of the aldecaldos. 

part of santiago’s TTRPG lore is that he, johnny, and rogue have to lay low in the badlands with nomads after they storm arasaka headquarters (i am aware the game takes many liberties with the original lore so who knows the full accuracy of anything from the original rulebooks)

ENDING spoilers: in the rogue+johnny storming AHQ ending, it's revealed that rogue has a son while they're prepping for the job. if you eavesdrop on her calling him while you're at the afterlife, you hear her tell her son to (paraphrasing here) "pull over and look at the stars", which immediately made my brain go to: nomad, badlands, santiago = dad? maybe. (santiago also canonically has a son according to the TTRPG lore)

this immediately reminded me of another interesting shard that i believe you can find in multiple locations around night city: “"what REALLY happened in arasaka tower?“

i love this dang shard. at first i thought it was just a cute conspiracy with some juicy gossip (and i love how 99% of the shards that mention johnny in this game are reminding us that he's not a real rebel, he's a poser) but it brings some interesting shit together

one: it tells us where johnny got his hands on the nukes! he and the nomads jumped a militech convoy and jacked some bombs! 

which is never directly explained, even as saburo arasaka is interrogating him shortly before using soulkiller. very nice of johnny to protect his homies like that. 

...or maybe he didn’t. saburo emphasizes that the dead don’t lie like the living do, and we don’t know what exactly arasaka did to johnny’s construct in mikoshi. 

it also explains why the obvious media narrative is that militech nuked arasaka, a nice neat political bow to the end of the fourth corpo wars, which is an entire section of the TTRPG lore that makes my eyes cross when i read it. 

it also makes the star/nomads ending extremely interesting, because i originally believed it was the ending where V’s journey deviates the most from rewalking johnny’s path... which also has weird implications if the johnny’s nomad era is being kept from v. 

(this also leads into my belief that the star ending/the devil ending are narratively two sides of the same coin, but that’s a WHOLE ANOTHER POST for another day.)

TWO, just straight up the fact that they turned the raid where they actually obtained the nukes into an action flick BD that pretty much ANYONE could watch. who the hell was doing that?? 

well, who else other than the guy who johnny (optionally) punched the shit out of for filming alt's death: thompson, media guy, and according to rogue, “bad luck”. because you know, recording your crimes is straight up evidence that can be used against you.

during the alt flashback we meet thompson, and just after that in cyberspace before meeting alt, johnny tells v that he has no idea what happened to him and that they never worked together again. 

oh, johnny, you lying bastard man

this is blatantly untrue, and if V even had two braincells and better memory than a goldfish they'd know this--in the first flashback sequence where johnny and rogue nuke arasaka tower, thompson is on the comms as they ride the AV towards AHQ, questioning their plans and use of violence. 

which leaves me with some questions, like where the fuck is thompson, why does johnny keep lying about this, why doesn't johnny say almost anything about how you interact with the aldecaldo clan nonstop throughout the game when he himself may have been a member of the family for some time?? is he continuing to protect the nomad clan that saved his ass? we know that a lot of his flashbacks are unreliable at best, that johnny changes shit up as desired when presenting V with his memories.

in 2077, you can also find that there’s a remake of “badlands raid” in the shard “new release braindances” that is pretty much everywhere. that shard doesn’t add much, but does mention something along the lines of “many people don’t know the ending of the original” which probably means johnny punched thompson out for filming again, or something. 

my running theories: rogue ditched santiago and the aldecaldos with johnny and thompson to nuke arasaka tower, and when johnny died she was stuck looking for (heavily implied by johnny here:) corpo sellout ways to survive.

adam smasher obviously has something to do with this since johnny/rogue's vendetta against the guy isn't entirely clear beyond the smokescreen of "he killed johnny and he sucks". i have done 0 research into this though i'm tired of typing okay

i obviously cannot be certain i have found everything related to this in the game as i’m not even done with this playthrough where i’m trying to pay attention, but i hope this is fun for someone else to dig into. 

enjoy, fellow silverhand freaks

EDIT: additional findings

ALRIGHT I HAVE DONE MORE DIGGING AND I AM BACK WITH MORE NOMAD/JOHNNY FINDINGS. these ones are kind of a bummer but VERY interesting.

there’s a shard called “excerpts from a history of the nomads by bb pires” that goes into detail about how nomads came to be

there’s an interesting quote in it: It's hard to imagine a group less inclined to wandering than farmers, but in fact they were the ones who sparked the age of nomads. Natural catastrophes, crops ravaged by bioplagues, armed conflicts and martial law allowing corporations to speculate and privatize land - all this forced them into a life on the road.

when you ask johnny why he wants to take down arasaka, he begins by referencing this himself!!

it’s a little awkward to imagine a nomad V doesn’t also know what he’s referencing, but hey, V is the fool because we are as players and that’s only one life path... so sure.

johnny also has unique dialogue during this scene about a nomad origin V, telling them that he’s been trying to understand how V thinks, and came to the conclusion that “their family was a crutch” and essentially made them stupid because they always had a safety net (lmao johnny calling v privileged basically)

BUT this also may reference why johnny would find it confusing as hell that V doesn’t immediately share the views he does when nomads, in terms of values, seem to be more aligned with johnny than V is. but once again V is the fool for a reason and this is all my own speculation so YOU KNOW.

MORE IMPORTANTLY, at the end of chippin’ in, when you ask johnny what he meant by letting down his friends... santiago is named directly

i thought this was interesting since the only glimpse of their relationship that we get is seeing johnny meeting santiago via the alt flashback for the first time.

so now it’s obvious that while johnny and rogue were with the nomads their friendship developed, and johnny went on to disappoint santiago in some way by being his normal dickhead self

but HOW? how did he disappoint santiago? is santiago even still alive?? did smasher kill santiago and is this why rogue mentions during chippin’ in that she wants smasher to “settle a score” moreso than avenge johnny??

the only additional hints i have are from this shard, which you can find at the aldecaldos camp: “nomads at ground zero”

i’m just gonna transcribe here and bold for emphasis:

It was no secret that Night Corp offered generous pay and, in some cases, free cyberware and biomonitor upgrades to anyone willing to help clean up the crater of radioactive rubble at AHQ ground zero. Some firsthand accounts recall the incessant ticking of Geiger counters, like the loud buzz of cicadas in summer. In retrospect, we can only guess how many "crater cleaners" lost their lives to radiation sickness shortly thereafter. Both the city government and Night Corp have claimed casualties were kept to a minimum, while providing no official statistics to substantiate the claim. That being said, they have never been under pressure to release such figures. After all, most rescue, engineering, and rubble cleanup teams were not local Night Citizens, but nomads. Surprised you didn't know? Don't be. It is a fact many history courses tend to overlook. The city employed hundreds of nomad mercenaries, primarily from clans in Aldecaldo nation. These nomads were hungry for gainful work and the city needed experts who were not only experienced but brave enough to knowingly put their lives on the line - all so Arasaka could one day erect another tower in its place. But history is not without its sense of irony. These nomads, who so deliberately live outside our so-called "system," came to its very rescue. Not for the first time. And not for the last.

a main theme we find in this game is the idea that the system of corps and exploitation cannot be stopped by grandiose rebellious gestures--no amount of samurai songs, assassinating mayors, or even planting nukes in towers will change things. yet johnny, his friends and mercs at atlantis in the 2020s, including rogue, chose to rebel any way they could, thinking it better than not. johnny criticizes her lack of rebellious spirit CONSTANTLY in 2077.

but ultimately, johnny, trapped in mikoshi, didn’t get to see the outcome of what detonating the AHQ nukes did to night city’s fragile ecosystem. rogue, however, did--and likely watched their former allies, the aldecaldos, be forced to take dangerous work at AHQ’s ground zero (from lack of other opportunities as detailed in this shard), then die from radiation sickness throughout the following decades, all as a result of what she and johnny did to try and fight the system. and she also watched all the former mercenaries of atlantis be hunted down by arasaka.

so rogue sees firsthand what the cost of rebellion is and johnny doesn’t. and nomads, considered the most free of any of the factions we encounter in the game, are the cost.

[palidoozy-art]

The more I think about your recent post about the changes you made to Strahd, the more I wonder about those changes you made to the others mentioned (Rahadin, Van Richten, Ireena, etc). I'd absolutely love to hear what adjustments you made as you already shared some stellar ideas already. Like the Tome? -Chef kiss- Amazing.

Oh mannn I do love talking about my campaign. I changed a lot with them. Again, weirdly enough, I think Strahd wound up being the most like his original incarnation. I could talk forever about the changes I made so I'll try to be brief haha. IT STILL WON'T BE BRIEF.

Obvious CoS spoilers below

IREENA - I thought it was weird that the picture they gave her makes her look like such a badass, and then the module just kind of writes her as a damsel in distress to either get kidnapped or pulled into water or dumped somewhere. To me, she's like, the second most important character in CoS -- and the book literally gives you less direction to roleplay her than her brother. Furthermore, reading her ending actually legit made me mad.

So I said fuck all that. Ireena in my game was a 19-year old girl who grew and developed over the course of the campaign. Several of my players actually said they thought of her as "the main character," just because she experienced a lot of character growth and development, going from a sheltered meek teenager to someone who can fight and assert herself. The biggest change I made to her though was that I very specifically did not just want her to be "Tatyana with memory loss." Ireena is a unique individual who happens to be partially made out of Tatyana's soul. While she shares many similarities with Tatyana, they're separate people, and part of what Ireena has to grapple with is how to live up to that. She's in the post-campaign because of that distinction -- while Sergei offered her to join him, she declined, because she wants to experience life past her twenties. I didn't get to play it out because we were kind of rushing towards the end, but I honestly envisioned a scene where she talks to the portrait of Tatyana, apologizing to her because she knows she's being selfish remaining alive.

This also brings up a unique problem in the post campaign. If Ireena dies, she ceases to exist and may not be able to be resurrected. When her soul leaves her body, it's Tatyana's again. Ireena very much wants to live. Tatyana doesn't. A resurrection has to be made with the consent of the soul, and if Tatyana declines, Ireena's just... gone. Forever.

Related: because I wasn't sure what my players would ask, and Rahadin would absolutely know this information -- there have been 18 incarnations of Tatyana, including the original. I actually have a timeline of when they were all born and how they died. The curse manifests in that they always die or are killed before their 25th birthday. If Strahd attempts to marry them, they lose their minds and throw themselves off of the same balcony the original Tatyana jumped off of during the ceremony. Strahd can never have Tatyana. Vampyr will ensure of that.

But yeah, essentially: Ireena gained actual class levels; she wasn't just Tatyana with memory loss; she traveled with the party for 90% of the campaign and wasn't just a macguffin to be kidnapped/take to places; and I removed any of the "Sergei takes her into water/the sky and you never see her again" endings because I absolutely hated those.

VAN RICHTEN - Van Richten I tweaked a lot from his original incarnation. First, I started him off as Lawful Neutral. No, game, I know you tell me he's Lawful Good, but I'm gonna have to disagree with you that "training a racist tiger to genocide an ethnic camp" falls under the spectrum of Lawful Good. Second, I changed him from cleric to artificer (alchemist). I somehow just got the impression the dude was a godless man, and so he felt more fitting to be a man of science rather than a man of the church. Third, since I wasn't sure the other dread domains were ever going to be brought into 5e I moved him out of Darkon and into another world from the outside.

His backstory was also tied more into Strahd and the campaign in general, as well as the Dark Powers. About 30 years ago, he went into the mists with his own adventuring party (that included Escher) to try to rescue his kidnapped son, Erasmus. He found his son half-turned and begging him for death. Killing him, Van Richten hunted down the Vistani woman (Ezmerelda's mother) who sold the man, and in a rage strangled her to death. This gave him a curse. Ezmerelda witnessed it happen.

He went on a warpath against vampire spawn and vistani alike, until Strahd proposed a deal to Escher. Escher lured the group to a familiar dinner date with Strahd... only for Strahd to murder all of them, including Van Richten. Van Richten was approached by a dark power -- Vaund the Evasive, and given the option to return to life in exchange for the promise that Van Richten would eventually return to Amber Temple and free him. He took it, waking up outside of Barovia. From there he became famed vampire-hunter-book-author, until in his early 50's he decided it was time to seek vengeance and fulfill his promise. He brought in his hat of disguise, came up with an alibi, and headed into Barovia as Rictavio the Great.

He was absolutely played as a much more morally grey character at the start (the party's first encounter with him rather than Rictavio was him literally torturing a dude). He softened over the course of the campaign as he grew attached to the party, until finally reaching a point in the post-campaign where he's considered Lawful Good

Also: Ezmerelda was treated more or less as his adoptive daughter. She absolutely argued against this every single time, but he even slipped up and referred to her as his daughter on a few tense occasions.

RAHADIN - Rahadin I adjusted a lot, too. A LOOOOOOT. Strahd being comically evil makes sense -- the dude is a darklord, that kind of comes with the territory. With Rahadin, I wanted him to have more motivations to his actions, because the base game actually suggests that the dude is actually capable of caring. In the base game, you can find him at Amber Temple, trying to "petition the dark god into releasing his master from his torment." He screams in grief if he finds Strahd dead. Furthermore it felt like the game glosses over the fact that the dude was adopted as Barov's son. It doesn't bother addressing how Rahadin felt about Sergei, who would in theory be his other brother. I thought a number of things suggested in his backstory were interesting, but not expanded upon in the base game. So I took it upon myself to do so.

I changed how dusk elf society was built, which affected the three major dusk elf characters. It worked off of a pretty brutal caste system, with three kings at the top overseeing all of it. Rahadin was born in a lower caste, but actually brought into the warrior caste after a member of royalty was intrigued by his stature. Rahadin worked as a general, but grew frustrated by the inefficiencies of the caste system and its inequality. He started attempting to use his influence to petition other members of nobility into changing or loosening the strict system.

Patrina caught wind of this, and viewing it as a threat to her lifestyle + viewing it as an easy way to gain brownie points with those above her... tattled on him to the three kings, spinning what he was doing as treason. Rahadin was arrested and subsequently tortured. They attempted to execute him on a breaking wheel, breaking his bones against the spokes and leaving him in the town square as an example. He wound up escaping, crawling his way out of town until he was subsequently rescued by a group of human monks. The event pretty much broke him, morally. He went to Barov soon after and sold his people out, taking a personal hand in helping annihilate the dusk elves and conquering their land. Barov was so impressed by the man's loyalty that he adopted him as his son.

Part of this was done to make a connection as to why the hell Rahadin just absolutely fuckin' hates Patrina so much (since that definitely got played up during the campaign). When thinking of Rahadin's motivations, I tried to come at it from the angle that this man was evil... but legitimately cared deeply about Strahd, Sergei, and Tatyana. He was devestated from the events of the wedding, but saw Strahd's return as a second chance. As the lone surviving witness from the wedding, he desperately wanted to help the three of them. But his own blind loyalty to Strahd and his broken moral compass prevented him from doing so.

One of my favorite little additions was a sidequest I offered to the players (they wanted to redeem Rahadin). They were requested by him to retrieve (well, "not destroy or sell") one of his most precious belongings in his office. When they get there... it turns out it's a birthday card and a worn-out old amulet from Sergei and Tatyana that he's kept after all these years. They got Ireena to read the letter to him, to help him keep going after Strahd's death.

anyway i could ramble on about changes forever but i don't want this post to get too long haha. i have. many feelings. over this campaign. maybe at some point I'll do a separate post with some of the others.

i also kinda wanna do a comic of an event from Rahadin's backstory for my players but we'll see, I might deem it "too stupid."

[multimetaverse]

Riverdale 5x04 Recap

Reggie getting lines is the first sign this must be a dream sequence

The Saving Private Archie sequence was well done. The twist where Hiram shoots Archie was a good one I’ll give RAS that

When discussing Archie in the army with some friends last week I said that they would only refer to Archie having been in a war and would only refer to the enemy as the enemy and lo and behold

Archie reading a book is already the most unrealistic thing abut this ep

Archie reading a Farewell to Arms is in keeping with the writer’s usual subtlety 

The Second World War style army uniforms work great with the show’s aesthetic 

Toni’s pregnant! And the White Wyrm is Pop’s basement!

RAS said we’d probably find out who Toni’s baby daddy is in 5x08. Presumably it’s someone we know which doesn’t leave a long list of potential father: Reggie or Sweetpea would be at the top of the list

Pop Tate better not be dead

Trash bag killer sounds nice!

A Fargo name drop

Is Betty sleeping with her instructor? That’s so unethical

Oh god they’re going full Silence of the Lambs with Betty having been kept in a pit by the trash bag killer

So the Trash bag killer captured an FBI agent and instead of killing her he held her captive for 2 weeks until she either escaped or was rescued or was let go? Unless there’s gonna be some big twist that really doesn’t sound likely to me

That serial killer brother (along with her serial killer dad) is exactly why Betty would never have been let into the real FBI

Chadwick is such a douchey name ( and he lowkey dresses like Hiram). He wants kids after just a year of marriage and wants Veronica to work less? Lotta red flags already

I’m going to quote an interview RAS did with E News regarding the timeline:

"Yeah, we're definitely in a time paradox," he says. "I think it would have been less jarring if we'd had the organic season break. But yes...the show's timeless so that's what we're hanging on to, to be honest. Like yes if you if you really, if you really analyze it it's like we're either in 2028, or we've been seven years in the past...there's a discrepancy there for sure." And yes, he also acknowledges that Veronica claimed post-jump that it is still 2021."Yes, she says it's 2021," he agrees. "But I think in the graduation episode it was also 2020...there's a discrepancy there for sure."

I have extremely low expectations for the Riverdale writers but fucking around with the timeline you’ve already established is just a slap in the face to the audience. Better shows than Riverdale have botched their timelines and it’s always a symptom of big problems in the writers room when they can’t even handle that basic task. Not to mention the contempt it shows to the audience 

Graduation was in 2020 so it should be 2027 now. Even if they didn’t graduate in 2020, Fred’s tombstone said he died in 2019 so how does that math add up? If  it’s now 2021 and the kids graduated back in 2014 then that would mean that Riverdale High’s first graduating class was in 1939 rather than 1945 which would mean that those classmates who inspired Archie to join the army were enlisting months before the Second World War broke out and two and a half years before the attack on Pearl Harbour caused the USA to enter to war

All strong marriages are built on deception (was that a reference to Katy Keene from the now cancelled Katy Keene show?). This accident better have really been serious if they keep bringing it up

Nice to see Hermione again

They look fine for surviving a helicopter crash

Chadwick collects faberge eggs just like Hiram... and Veronica decided to sell it... methinks Chadronica is not gonna last

Ah yes Fitzgerald and Hemmingway, two writers known for their happy lives and  peaceful deaths of old age, really good examples to live by Jughead

Lmao! Only Jughead would be seduced by a chick wanting him to read her book

Good on Kangs for staying together this whole time

Cheryl is straight up living in the 19th century and I’m here for it. Thank god Nana Rose is alive

Reggie working for Hiram is an interesting twist

Kinda weird that Toni is trying to get back together with Cheryl when she’s pregnant with some dude’s kid. Honestly it makes perfect sense that Cheryl would believe that she’s cursed

Omg is Cheryl gonna get into art forgery?? That would actually be so great

Of fucking course we’re circling back to Hiram’s real estate deals

Thank god Pop Tate is alive

Man how stupid do you have to be to hitch hike nowadays especially when the truck that pulls up has a fucking skeleton on the front!

Once more I’ll quote RAS on the serial killer plot:

"As that mystery unfolds, it starts enveloping all of our characters," Aguirre-Sacasa says. "And in some ways tragically, including a character we've known and loved since season one."

That’s a vague statement that something bad will happen but if he means that a character we’ve known and loved since S1 is dying then it won’t be any of the mains. Sheriff Keller would be a good tragic death, the last of the good dads left in Riverdale

In another interview focusing on the ships RAS mentioned that Bughead would still have a lot of trauma from the Barchie kiss to work through, that Barchie would have a deep connection, and that Varchie still have a spark but Archie wouldn’t make a move on Ronnie while she’s still married

I would be surprised if Chadwick doesn’t meet a violent death at some point so I don’t think he’s a long term obstacle. If Hiram is the big bad for the remainder of the series then there’s a path to get Varchie back together as they team up to take him down

RAS also mentioned how nice it was to not always have to write couple scenes, to be able to have Betty scenes without Jughead and Veronica scenes without Archie and vice versa. An odd statement to make as no one was forcing him to keep those couples together. The writers could easily have broken up Varchie after Hiram’s numerous attempts to kill Archie or used the fact that Bughead had a shared half brother and their parents were living together in a romantic relationship to sink them

Well until next Riverdalers

[purplerose244]

My thoughts on Ninjago the Island!!! 🏝🏝🏝

So, gotta be honest... this is not a Blind reaction thing, I actually watched it in French first so I know most of the stuff already 😅 It's entertaining, it got great animation, but nothing more than that in my opinion 🤷‍♀️

Still there is stuff I liked or I want to point out, and finally I'm seeing the English version so I can actually understand what the HECK they are saying 🤩

Alright, nothing else to say, here we go!

UNCHARTED

I haven't actually seen anything Clutch Powers related before Ninjago, is he always like this? I love that he is a jerk honestly, just wondering 😂

Press F for respect for intern Dwaine (at least he seems to like being... used?)

Clutch: It's just a bunch of rocks! It's not alive!

Totem: I'm about to end this man's whole career

Wait, Misako is part of the explorers club? ... that would have come in handy in season 11 to get the scroll of Forbitten Spinjitzu from the club instead of begging uncle Powers for it... *sighs* I don't mind plot holes in Ninjago like most fans I think, but if you wanna make Misako relevant again at least pay attention to the details 😅

Wow, after the end of season 13 I would've thought Wu was going to go through a midlife crisis, not Misako 😂😂

Oww, everytime I hear I get 😢 Bless your soul Kirby, always in our hearts 🖤🖤🖤

Well hello Brian

Always nice to see you 😊

Twitchy Tim must have been pretty interesting to voice 🤔 I like him enough, he's fun and all, maybe not at the level of the characters we got last season

Okay, the place is called the STORM belt, there are LIGHTNINGS, and the sand of the beach is BLUE. Are we gonna address any of these similarities to our Bluebell here or not? 😅

Wait, Tim was giving a hot air balloon tour, does that mean other people where with him? What of them? Are they dead? Did he let them die on the island?... am I reading too much into this? Probably 🤷‍♀️🤷‍♀️

Alright, the part of the boats? SO COOL 🤩🤩 I literally can't say anything bad about the animation at this point

Why did they think leaving Kai, Jay and Cole on one boat was going to be a good idea 😂 Also Zane just randomly doing sick tricks on his vehicle, love that nindroid

I'm guessing Nya is keeping her water abilities for her season 🤷‍♀️

Yep, yep, this is why the creators try to keep Pixal out of the adventures, with her everything is way too cool and easy to access to 😎😎

Twitchy Tim: There are statues that become alive!!

Lloyd:... so it's a season 2 stone army ripoff, we've seen worse

It's a cute episode overall 👍

THE KEEPERS OF THE AMULET

OKAY THE INTRO IS SO FREAKING COOL 🤩🤩🤩🤩

So Twitchy Tim has temporarily taken over Jay's role of spazzing out and complain about worse case scenarios... in another occasion they might have bonded over this, maybe 😂

Okay, survival position? MOOD

Nya: DRAGOOON 😱

Me: DRAGOOOOOOON 😍😍😍

Why am I not surprised that Jay was the one that named him Zippy? 💙 Also HE'S SO CUTE 💕💕💕 Love how in every adventure, we always get very different types of dragon in this show 👌 I'm a simple person, I see a dragon... 🤩🤩🤩🤩🤩

Oh-oh, it's the "Lloyd's done with this crap"'s face

This means serious business... am I that used to LEGO characters that this way of crossing arms on the chest looks almost normal to me? 😅

Soooo, Master of the Mountain clearly gave Cole too much development... because now he got demoted to "the one who is always hungry" 🤦‍♀️ I'm all for Cole's endearing love for cakes, which is super relatable, but if you're gonna push it on his fun side, at least be coherent 🙃

Is it just me or it feels like the writing of this special was made by someone different from the one of season 13? Like, it's not bad, just less engaging and witty. For now. Maybe I'm being premature 🤷‍♀️

New way of nerfing powers, we got... weird, sucking power totem thingies... OKAY

My gosh I really can't say anything about the animation, look at that! It's all cinematic with such a light! YES!! 🤩

I'M SORRY

WHY ARE WE LOOKING OVER THIS??? IT LOOKS LIKE COLE'S LAVA PUNCHES BUT THEY ARE JAY LIGHTNING FEET??? IT'S A GREAT IDEA AND I WOULD LOVE TO SEE IT AGAIN??? WHY ARE WE IGNORING THIS??? 💙💙💙💙

So they at least addressed that lightning isn't a Jay's thing only anymore 😅

Alright, Jay having a mental breakdown because of a bridge because it always breaks, that's the Bluebell I know and love 😂😂 Nya telling him to keep moving was cute too 💙❤💙❤

Okay, I'm sorry but this really bothers me, what kind of lightning can instantly knock out the MASTER OF LIGHTNING??? Like, my gosh, really??? I hope they give us an explanation, like it's some sort of special lightning, because this really doesn't sit right with me. Jay is lightning proof, we've seen it in Skybound, we've seen it in Sons of Garmadon, I DON'T BELIEVE HE WOULD JUST BE KNOCKED OUT LIKE THAT 😡😡😡

Soooooo, storm amulet? Being one with the lightning? Is that the reason why Jay got to be the sacrifice? 😅

THE GIFT OF JAY

Alright, I am kinda looking forward for this one, what did Bluebell actually say or do to get him into trouble this time 😂😂

Oh, he just... introduced himself... well that was underwhelming

SENSEI👏YOU👏ARE👏A👏FREAKING👏GOD👏STOP👏GETTING👏KIDNAPPED👏BY👏RANDOM👏VILLAINS👏

Bring ooooon Lloyd Grills 💪

Okay I did like the little speech, definitely resonates with how Lloyd survived this long even though everything wanted him to give up, even his father... I'M NOT CRYING YOU'RE CRYING 😭

Jay out there making the real questions 😂

Awwww Edna used to call him gift of Jay? I can totally see it, so cute 💙💙 Makes even more sense if Libber actually left Jay at the Walkers' door...

Pff, Jay made the connection I would've done honestly 🤷‍♀️ Like, him being the master of lightning really didn't give these dudes any impression or inspiration? Any cool idea, full Road of El Dorado style? 🙃🙃

Lloyd out there abusing of the animation budget 💚💚💚

Somehow these ninja never actual sneak in, it's always a huge mess everyone knows about beforehand 😂 It's familiar though, I'm used to it and happy with it 👍

I might not be the biggest Misako fan, but you know what I am a fan of?

LEGO HUGS 😍😍😍😍😍

Dang it uncle Powers, you just got here to make a mess did you 😅

Not the first person of the fandom to say this, but Jay looks absolutely lovely with that flower crown 🌺🌺🌺

Oh poor greenie

Lloyd just has the worst luck 😓

Jay: Why would I be the gift?

Kai: Yeah who would want Jay?

Nya: Huh, me?? 😡

Got some very good Jaya for this little special, can't complain 💙❤💙❤

I mean, not matter how big of a snake Wojira might turn out to be, we've already seen the biggest and the second biggest snake of all so 🤷‍♀️🤷‍♀️

Whoa, at last... IT WAS THE FIRST SPINJITZU MASTER THAT HAD SOMETHING HE SHOULD'VE TOLD WU A LONG TIME AGO!! 😱 Wu, you got pulled a Wu, how does it feel? 😂

Again, Jay freaking out, kinda my jam it's too funny 💙💙

Wow Kai way to be hominous offscreen 👏👏 I miss talking about my flame babe, this really isn't his time 🤷‍♀️

THE TOOTH OF WOJIRA

So when I first watched this I was genuinely, really excited about knowing the truth behind all this. It turned out very different from what I first thought, but at least in this case it's okay (besides I was pushing with the lightning meaning just to see Libber again 😅😅😅)

I feel like the guys get their powers stolen or blocked so much it takes them a minute to remember "Oh wait I can literally burn my way out" 🤷‍♀️

SPINJITZU YAY 🤩

I... forgot that Misako knows how to fight 😅 She knows how to do spinjitzu too if I remember correctly...

NYA BEING LIKE "OUT OF THE WAY IMMA SAVE MY BOYFRIEND AGAIN" ❤💙❤💙

Gotta love how they were all crazy worried about Jay, like, this is something that never changes through the show. They really care so so much for each other 💕💕💕

Ooohhhh, okay, so Wojira does seem to be the main villain of next season according to the story. I remember Tommy saying that we needed to have faith and this is probably why. The special was okay, nothing too much, and hopefully that too much we will see in Nya's season 😍😍😍

What the- pff, I didn't notice this the first time 😂

At this point I can't tell if that one short with the chicken of the movie carried a hate or a love for chickens in the actual show 😂😂

Nice to see Jay standing up for himself at least for a little while 💪 Also Lloyd being "He's our trouble", aww family 💜

THERE IT IS

MY BRUISE HEART IS SOARING 🖤💙🖤💙

Gotta give props to the voice actors, voicing an explanation while fighting must be pretty hard! WE ARE BLESSED WITH AN AMAZING CAST!!! 🤩🤩🤩

And there he is, our favorite jerk... shaved Ronin 😂 He does look a little weird, but it's fair, new animation and all. Not the weirdest until now 🤷‍♀️

I genuinely had to make a mental check to see where we are with Ronin now, like, he started as a villain, then a partner, he betrayed us, became an ally, he hunted the ninja, then joined them, that timeline was erased, he was around in SoG and... wow this man is chaotic 😂😂

Yaaaay, Twitchy's last minute redemption act! Lloyd is too good at motivational speeches 👏👏

A bit of Lava OTP/BrOTP

Cause it's good for the heart ❤🖤❤🖤

Okay, Scooby doo reference, why not? Also honestly, I'm confident Ronin has seen A LOT of jails and prisons... probably won't stay behind bars for long 😅

Mammatus: sorry for imprisoning you and almost killing your friend

Kai: no biggie, that's how we make friends in this show

Alright the "And Clutch Powers" gag made me chuckle 😂 ... wait where is he- DANG IT UNCLE POWERS

Okay, this is the last time I say it I promise, but I mean. I MEAN

THE ANIMATION GUYS 😍😍😍

Aaaaand sensei you jinxed it 😅 But you apparently awakened Nya's season so I'm gonna forgive you on this one 😉

FINAL THOUGHTS

There are a few little details that bothered me a little, and it wasn't as exciting as I maybe hoped it was going to be, but it was fine. Enjoyable still. These characters make me like the show, even when it got nothing too impactful 🤷‍♀️

But I got triggered about that lightning thing with Jay 😅 I guess I'll just fanfic whatever I had in mind...

Don't have to repeat myself about the animation *chef's kiss*

The writing was really less engaging, a little normal in a way? Idk just a feeling. Nice to see Ronin again though, I really like him. And nice to see Jay freaking out, I really like that too 😂

To be honest I wanted to put down my thoughts on this one because I REALLY wanna do the same with Nya's season 🤩🤩 I already know that Maya is gonna be there and I am so HAPPY already!!! 💙💙💙

So that's it from me! Thank you for reading me ranting, see you next season! 😊

[bedlamsbard]

I got a couple of different asks about Luke and Ahsoka in other side AU 10, so I guess I will just make it a regular post after all so I can answer all of them at once.

@slecnaztemnot: 

Okay i just read your latest other side chapter and I wanted to ask about Ahsoka and Luke dynamics. I wonder what exactly where their heretics disagreemts about the jedi doctrine? while i can guess some of the stuff like attachements i guess i mostly see ahsoka as nonjedi and therefore someone who should not be attached to doctrine about attachements (haha) so i am wondering how you see her. i would actually love your take on how their first meetings went. continued in next ask, 1/2

1/2 continuation since most people write them as Ashoka immediately spilling the beans about the whole Vader situation to Luke and yours Ahsoka didn't. So I am curious what do you think Ahsoka feels about it. I got of course lot of it from the fic itself so i am mostly asking about how did you base your interpretation, if that makes sense and what led you to the narrative choices to portray their relationship in such way.

@comentter:

I'm most interested in what Luke and Ahsoka know about each other. Luke doesn't know much about Ahsoka obviously, but does he have any idea why she seems to hate him? He must be desperate lol. And how much does Ahsoka know about what happened on the DS2? And how much does Kanan know about these events? What was Hera able to tell him and what else did Luke and Ahsoka tell him? I always figure that everyone but Luke and a few people he told (like Leia) think the Emperor and Vader from the DS2 explosion.

I now have this image in my head of Ahsoka spending time with Rex and her laughing as Rex does something like tell a joke or a specific gesture. Then Luke walks by, does the exact same thing and Ahsoka is like "Of course, you'd do this stupid thing, you idiot!" :D

I think shortly before I started writing this sequence I had seen some cute art of Luke and Ahsoka hugging, which is a pretty common art trope and which has never sat quite right with me.  I also have the tendency to want to do the opposite of common fanon, which I can’t leave out either.  I also wanted to logic out what the hell was going on with Ahsoka’s charaterization in her Mando episode on a Watsonian level rather than a Doylist one (which I did a few weeks ago), even if other side takes place well before Mando and doesn’t intersect with it in any meaningful way.

When it came to the Luke and Ahsoka relationship (or lack thereof), it came down to three questions for me:

Who knows what?

What do they know?

When do they know it?

I made the decision early on in the chapter to leave Leia out of this relationship entirely, since the new canon seems to at this point in time (within a year of RotJ) be keeping it relatively quiet that she and Luke are siblings, and it’s not something that Hera would have a reason to know.  (Note also that this entire sequence is told from Hera’s POV, which plays into the “who knows what when” angle.)

As per Rebels S4 (not the epilogue, because Mando’s thrown that out the window), Ahsoka knows (or has good reason to believe) the following:

Anakin Skywalker is Darth Vader, Sith Lord

Darth Vader was directly or indirectly responsible for the genocide of the Jedi Order and the deaths of any Jedi who survived the Purge (”you and your Inquisitors saw to that”)

Padme Amidala is dead

Obi-Wan Kenobi is dead (Obi-Wan was not dead, but she has no way to know this)

no Darksider can return to the Light side

At the end of RotJ (not taking into account anything that happened in the comics or ancillary novels, which I’m not up to date on), Luke knows (or has good reason to believe) the following:

Darth Vader is Anakin Skywalker

everyone Anakin ever knew is dead, mostly because of him

Vader returned to being Anakin Skywalker at the end of his life

(Leia presumably also knows all of this, perhaps with a few more details based on things her parents might have told her, but her feelings about Darth Vader are: Bad, Do Not Want, to be glib about it.)

Now, there’s one other factor here, which is Rex.  Rex knew Anakin and knew Ahsoka and was in the Rebel Alliance -- we know that he was on Yavin IV prior to Luke’s arrival and we know that he fought in the Battle of Endor. (And turns up in a couple of scattered art panels from the comics.)  If we want to take his brief appearance in Galaxy of Adventures with Han Solo’s strike force as canon, then he may have also known Han and probably Luke -- certainly his ears would have pricked up at the name “Skywalker.”  (Okay, there’s one other factor, which is R2-D2, but Artoo never tells anyone anything despite knowing...everything. Or most things, anyway.)  Rex doesn’t seem to know that Anakin became Darth Vader (I believe there’s an interview somewhere where Dave or Pablo or someone says that a meeting between Rex and Vader would be “awkward,” but there’s no canonical reason to believe that he knew about the Anakin/Vader connection), but he probably found out at some point that the 501st was the battalion involved in the assault on the Jedi Temple.  He also, as of Rebels S3-4, assumes that Vader killed Ahsoka -- presumably Ezra would have told him as much as he could.  (And Ezra does know that Vader is Anakin, so he may have told Rex that as well.)  Rex also knows that Anakin Skywalker was having an affair with Padme Amidala, but presumably didn’t know about (a) the marriage or (b) the pregnancy, because how would he know?

Then we come to Ahsoka’s return and unfortunately the current canon gives us no time point for when it actually happened: presumably Ahsoka did not or could not return to the greater galaxy at the point she “left”, during the fight on Malachor (3 BBY), because as of Rebels S3-4 everyone still believes she’s dead.  Maybe she’s still stuck on Malachor without a way to get off, who knows; maybe after S4 Ezra grabbed her into the World Between Worlds she decided to stay on Malachor until she ~caught up with the main timeline, which...you then have to believe that Ahsoka is going to deliberately remove herself from the war, which I can get to, but is not something I’m totally comfortable with.  Or she pops out in the timeline at the same time that Ezra returns to the main timeline and is able to more or less immediately return to the main timeline narrative, plus or minus a few weeks.  (There are, after all, still a couple of Advanced TIE fighters parked in the Sith temple, even if they were potentially damaged in the temple collapse.  Ahsoka could have repaired them or used the comms systems to call for a pick-up -- this is, btw, what happens in Crown.)  We don’t know when the S2 finale scene/S4 WBW scene of Ahsoka walking back into the temple actually takes place in the timeline; it doesn’t have to be at the exact same time as the rest of the S2 finale sequence (since obvs Vader dragging himself out, Maul flying off, and the Rebels crew looking sad doesn’t all take place at the exact same time).

Other side AU is deliberately vague about when Ahsoka returns from the World Between Worlds/Malachor/to the Rebel Alliance; it’s not stated in the story, but I made the assumption that she came back shortly after the (non-epilogue) end of the Rebels finale, but was still deeply messed up from her Malachor revelations.  (Also, like, Sidious, I guess, but she was probably so messed up about Anakin/Vader that Sidious being around barely registered.)  Since she never seems to have held a formal position in the Rebel Alliance, I assumed that after she returned and let everyone know she was still alive, she then immediately took off to try and figure out what the hell happened with Anakin at the end of the Clone Wars, since she saw him like a week before he snapped and at the time he seemed fine.

The problem is that almost everyone involved is dead.

Now, at this point (shortly before Scarif and ANH), a few people are still alive who then die shortly, but whom Ahsoka may have no reason to believe were involved.  Bail Organa, for example, is still around, but aside from him being Padme’s friend Ahsoka doesn’t have a reason to know that Bail was there when Padme died -- and since they were in contact for the nineteen years preceding there’s no reason for her to assume now that he was keeping something for her.  Back in the comics (before I stopped reading them), Vader did some digging to figure out what was going on with Padme and his child; Ahsoka probably would have done the same digging (without having to torture anyone), but without necessarily knowing that Padme was pregnant.  Knowing the date of Padme’s death (same as the Republic, essentially), she may have had a previous assumption that Padme was assassinated on Palpatine’s orders, but knowing that Vader is Anakin probably moves that assumption closer to the truth, that Anakin was somehow involved in Padme’s death one way or another.  Sooner or later Ahsoka will turn up the fact that Padme was pregnant, come to the obvious conclusion that Anakin was the father, and possibly find out the same thing that Vader does in the comics -- that the child was born before Padme died.  (But also probably not that Padme was carrying twins, but even if she found that out, it wouldn’t make a difference.)

While Ahsoka is doing her digging (and there really isn’t much information out there to find), the events of Rogue One and ANH happen, and Ahsoka comes back to the Rebel Alliance to find out which of her friends are still alive.  (Maybe Rex is with her at this point, who knows.)

Everyone in the Rebel Alliance is talking about some young hotshot named Luke Skywalker.

Luke Skywalker who has a very familiar lightsaber, who claims his father was Anakin Skywalker, and who had some kind of relationship with Obi-Wan Kenobi, who turned up on the Death Star, fought Darth Vader, and died.

Ahsoka has just spent the past few months trying to figure out what happened with Anakin, and as best she can reassemble the facts it mostly comes down to “Anakin did something dumb for Padme, that something dumb was ‘turn to the Dark Side and kill literally everyone,’ and then Padme died, the Republic was overturned, and the Jedi Order was wiped out.”  Ahsoka presumably walks into a room, hears the name Luke Skywalker -- maybe sees him -- and is all at once face to face with the living evidence of just how badly Anakin fucked up.

This is just too much for Ahsoka to deal with at the moment, so she takes off again, and spends the next five years brushing in and out of the Rebel Alliance doing odd missions that can really only be done by a trained Force-user.  Rex, who seems to have a more stable position in the Alliance, is always going to side with Ahsoka over anyone else; if she tells him not to tell Luke that she knew Anakin, he won’t.  (And for that matter, he may have somewhat fraught feelings about Luke himself.)  She may have the odd interaction with Luke -- who has heard that there’s another Jedi in the Alliance and wants to be friends/get real training -- but Ahsoka just does not want any part of this. It’s irrational! She knows it’s irrational! But this is the living evidence of Anakin’s failure, Anakin who last she saw him TRIED TO KILL HER, who was at least partially responsible for the deaths of everyone she ever knew.  (And honestly, finding out that Vader topped it all off by killing Obi-Wan is not going to help.)

Ahsoka may also be feeling a certain amount of survivor’s guilt: if Ezra had not pulled her out of the Malachor temple at that exact moment, she came pretty close to bringing the temple down on both herself and Vader, and may have succeeded in killing him.  She did not do so, and who knows how many people died because of that in the years between Malachor and Yavin?  (Just because Tarkin was the one who gave the order doesn’t mean that Ahsoka may at least partially blame Alderaan’s destruction on Vader, if she knew he was on the Death Star then.) She knows he killed Obi-Wan.

The Yoda lineage is very good at going “yikes, I am going off to live alone and beat myself up over my failure for years” and Ahsoka is very much an example of that lineage.

She and Luke have a relationship of “Hi, I’m Luke Skywalker, do you want to talk?” and “I have to leave immediately,” maybe with the odd “please stop using that lightsaber grip it is physically painful for me to watch, do it like this instead, okay, bye.”  Luke probably told all of two other people about what happened with Vader on the Death Star, Leia and Han; he has no reason to tell anyone else about it because it won’t matter to them.  Why would he tell Ahsoka, whom he has no relationship with?  He doesn’t know that Ahsoka knew Anakin Skywalker and would only know if one of four people told him: Ahsoka herself (no), Rex (no), R2-D2 (maybe), or Admiral Ackbar (would never have occurred to Luke to ask, might have occurred to Ackbar to say).  (We also don’t know that Mon Mothma knew Ahsoka very well, or at all, for that matter; they never interacted in TCW.)

As for her swinging harder into overt Jedi-ness by Mando after her blatant “I am no Jedi” of Rebels, it reads to me as a response to the Anakin/Vader revelation (especially the attachment thing).  She had made certain assumptions in the TCW period (see her saving Rex in the TCW finale) and prior to Rebels; Kanan’s method of Jediness was something she could accept in the time period and in those circumstances; the Anakin/Vader revelation shattered all of that, followed immediately as it was by Kanan apparently going full Jedi self-sacrifice despite his attachments.  (Her reaction to Ezra being a trauma response about two very different circumstances.)  All of a sudden what she thought might have been mutable based on the circumstances became something that had to be adhered to in case of dangerous results, which she had just had brought home to her in extremely bad circumstances.

I made a crack somewhere about Mando’s central tension being between “being Mandalorian” and “being doing Mandalorianness”; I think in the post-OT period with Ahsoka and Luke we’re seeing something similar with “being Jedi” and “being doing Jediness.”  Even if Ahsoka isn’t actively claiming the title Jedi anymore (because what does that accomplish in most contexts?), she’s leaning far more into the tenets of the Jedi Order -- which Luke doesn’t know and doesn’t know he doesn’t know.

Thus the doctrinal dispute.

Ahsoka grew up in the Jedi Order.  That’s what she knows, that’s how she knows how to be a Jedi; for her being a Jedi is being part of the Jedi Order, whether or not the actions associated with performing Jediness are being actively practiced.  Luke doesn’t have that context.  For Luke, being a Jedi is...being doing Jediness.  (This is super awkward phrasing.)  Performing the actions of a Jedi.  Luke has a few holocrons, but I’m guessing that a lot of what is on those holocrons makes the assumption that whoever is opening with them has the context of being a part of the Jedi Order and doesn’t explain really basic stuff about the Order or what that means.  Luke’s Jedi Order is not going to be the Republic Jedi Order made anew; it’s going to be something that has a resemblance to it and is based on a similar view of the Force, even arguably its heir, but is just not going to be the same thing.  It can’t be.  Luke doesn’t know what he doesn’t know.

Kanan, of course, is coming into all of this from a similar context as Ahsoka: he grew up in the Jedi Order, it’s what he knows, it’s who he is.  Except Kanan never walked away from the Order, so while Ahsoka had been disconnected from her Jediness at the time of the Purge, he never lost his -- part of Ahsoka’s tension from TCW S7-Rebels was “I can’t be a Jedi because the Order is gone” and Kanan’s was “can I be a Jedi without the Jedi Order?”  (Ezra is a whole ‘nother thing but is somewhat outside the scope of this.)  The Jedi Order never factors in Luke’s Jediness at all.  (There’s some lineage doctrinal dispute here as well -- the Yoda lineage seems to be very closely connected to the Order as the font of Jediness, the Windu-Billaba lineage somewhat less so.  The Yoda lineage is like...the hardcore conservatives of the Jedi Order, though, and are probably not typical.)

Poor Kanan came back from the dead, after a week in another universe (which had its own problems; he’s been trying to very gently convince his counterpart that even after being an Inquisitor for months he can still be a Jedi), into Luke trying to build a new Jedi Order from scratch, Ahsoka firmly believing it couldn’t and shouldn’t be done and not wanting to be in the same room as Luke at all (not to mention that she really did not believe that they should have gone for “hey, let’s send Hera Syndulla to another universe” as even being an option), and both of them having essentially incompatible notions of being a Jedi at each other -- this is probably the most time Luke and Ahsoka ever spent in each other’s presence.  They’ve probably never articulated their problems at each other, just assumed that the other knew them.  And Kanan has his own “how to be a Jedi” approach, which is from a very different than either Ahsoka or Luke because despite originating from the same context as Ahsoka, he had a very different path to get to his present position.

As for what Kanan knows -- uh, pretty much only what Hera knew, and Hera knew very little?  She was friendly with Luke and Leia, but didn’t have much interaction with them -- she states that she had a tendency to avoid Luke because even if she would never say it to Luke’s face, she silently believes that if any Jedi should have been in the Rebel Alliance, it should have been Kanan and Ezra and not this relative newcomer.  If the Death Star 2 news about Vader and Palps was never common knowledge, then Hera wouldn’t have known it.  Kanan’s in a position of having to play catch-up, but also having a completely different priority (finding Ezra).  He sat through this meeting where after they’d finished grilling him on “you were in ANOTHER UNIVERSE and also you CAME BACK FROM THE DEAD?” they politely sniped at each other with a bunch of context he didn’t have and flat out decided that wow, he did not want to deal with this at all, whatsoever.

(This is also not stated in the story, but Luke and Ahsoka also disagreed about whether Jacen should be trained or not: Luke said, yeah, of course, when he’s a little older! and Ahsoka said nope, he’ll be fine, it will go away. Hera was just very “...I will deal with this later” about it since it wasn’t an urgent issue.)

[subjecta5newtella]

alright fuck it it’s been about a week the blinding rage has simmered down into a tasteful anger stew so I’m gonna talk about the crank palace a little. technically this is probably spoilery, but I don’t really go into specific plot points

there’s... a lot of shit I can point to that’s wrong in the crank palace. blatant contradictions to things in the original trilogy. pacing. weirdly explicit descriptions of violence. some truly baffling choices made when it comes to dialogue. newt forgetting glader slang for some reason? everything about how sonya and newt’s sibling relationship is handled, which is still probably something I can’t talk about without going nuclear so i’m just gonna direct you to point 4 on sami newtedison’s excellent post here. 

some of these things just make it hard to read and enjoy from a technical perspective, and some of them show that there wasn’t enough care taken to make sure basic established in-universe facts weren’t directly overwritten. while all of those are warning flags in their own right, the issue at the core of tcp is, in my distinctly less than humble opinion, that newt himself is barely a character in his own novella.

obviously at the point where the story starts, he’s not going to be the exact same newt we’ve seen throughout the trilogy. partly that’s because we’re now actually in his perspective, partly it’s because the flare is progressing so quickly, and that would create some understandable differences. the problem here is not just that he’s kind of different; the problem is he’s hardly an actual character at all.

one of The Most Basic things about characters is that their history has an impact on them. this is not fucking groundbreaking, but I say this because I literally do not think it’s achieved here. aside from his resurfacing memories (which... even then is basically all stuff we already know from tfc) we do not learn anything about newt that is not established in the trilogy, which is an incredible waste. I don’t think it’s a stretch to say that when people have expressed interest in newt’s POV, it’s to get information we don’t have from the earlier books, like his time in the glade, conversations he had that thomas didn’t see, anything we couldn’t see or easily extrapolate from thomas’ perspective.

thomas in book 1 has no memories. newt, theoretically, has over two years of them at this point, so why doesn’t it feel like his pre-series past exists any more than thomas’ does? i’m not about to subject myself to a reread just to 100% fact check this, but I don’t think we get any meaningful recollection of his time in the glade before main series canon begins. there would’ve been plenty of opportunities for these kinds of things to be woven in naturally, but more crucially, there are a couple places where I think pieces of his past should have absolutely come up, and they just... don’t. 

newt obviously has leadership experience as the glade’s second in command, and yet in tst is very vocal about not wanting to be the leader. when he’s kind of thrust into a leadership position in tcp, both of those things should affect the way he acts, and yet they don’t really seem to. if we’re looking for places to sprinkle in memories, this would be a really good one. he could be thinking about the point at which he became alby’s second, the reasons he accepted, and the anxieties associated with that, all in relation to his current situation. in tcp, becoming the leader of the group of cranks is just... straight up something that happens to him because he was a WICKED subject, with no real internal strife about it. I do not like the vibe of this whole plot point anyway, but im not gonna get into that. 

in a similar vein, I swear to god dashner forgot newt used to be a runner, because there are times where it should have logically come up. there’s a point at which newt talks about minho as a runner while giving absolutely no indication that he himself also used to be one, even though during the situation in question it would be relevant for him to have the skills and memories of his time as a runner (you could argue this was forgotten in any meaningful way as of tst because a similar thing happens, but i’m not gonna go on that rant rn). this is a crucial fucking character piece! based on a loose timeline, newt was a runner until probably ~6 months before tcp. it should have an impact on the way he acts and the way he evaluates situations.

regarding minho himself, newt’s descriptions of him feel like he read the wikipedia page, not like this was a) someone he’s been through over 2 years of highs and lows with and b) one of his only surviving friends in the first place, let alone one of the only ones from that original group. and minho’s hardly the only one that gets fucked over. alby? newt’s best friend as of the first book, with whom he co-ran the glade and who literally saved his life? mentioned once, as part of a list of the dead. those are the two that immediately come to mind as deserving better based on the way we’ve seen newt interact with them previously, but none of newt’s dynamics with existing characters feel lived-in at all. I think that contributes significantly to the fact that he feels so off, and frankly, not really wildly compelling a lot of the time despite being one of the most interesting and well written trilogy characters (there’s also times where his dialogue is just... weird and ooc, but im trying to stay out of nitpicking to that degree).

and to what end?? was dashner just too lazy to write in anything more than what’s established after this long? was it because creating any too-meaningful relationships with other characters could potentially take away from the thomas/newt dynamic that it seems like he’s relying on in order to stay relevant? even for people who go hard for newtmas, I can’t imagine it could really be considered a bonus to have one character’s past and other significant relationships stripped away. also?? even though he mentioned thomas’ name a lot, I don’t feel like we got that much of a sense of a meaningful connection there either. 

there were parts I liked about tcp, which may come as a fucking shock at this point, but still. keisha was a good character, a good break from the mold in terms of anything we’d seen before in the series, and I did honestly appreciate some of her interactions with newt. some of the minor characters were kind of interesting, and there were a couple small pieces that were... surprisingly well written? i think in terms of word choice and description, his writing has improved from what we see in the trilogy, so there’s my positive feedback. also, newt bitching about the lack of fruit and vegetable offerings at the crank palace was objectively funny as shit. one of the most genuine moments of Personality in the whole thing.

this could have been something. I think some pieces would’ve worked well as a short story, in which case I wouldn’t have expected nearly as much in terms of characterization and utilization of backstory. instead we just get a lot of suffering and not much out of it, because the one thing that could’ve made it worth it was an actual deeper understanding of this character and I truly don’t feel like we got that. 

[blindtaleteller]

PROMPT: OOC Interview with [X] Clint ‘Cuyler’ Barton

" Been a while since we did one of these.. but. You know the drill man! This is your first interview, yeah? Want to explain why and where you’re from? “

     Cuyler (Clint Barton D14:) Besides trolling the hell out of tags with Viedimadr? *grins* Ah, mostly that’s keeping the core element I guess. Most Bartons are the quintessential superhero, at least in the range of having that alter-ego. Might not wear a mask ‘til Ronin in the MCU? But --and especially with how my character works pre-Avengers; sharing past the job isn’t exactly any of our fortes? We have a family to protect, and if you do the math of how old the kids are even in Ultron: that family has been a thing since before we take the higher ground up out of the paid-SHIELD-killer status I’m in that Nat does mention in the original Avengers. Also usually save it up between the pages and occasional poke into tags and skits here on the dash.

     Cuyler (Clint Barton D14:) As for where I’m from! *he leans back and hooks his hands behind his head* We’re Universe Fourteen; two doors on the left down the connecting Vestibule from Lisan’s Universe, and one to right of the Ego-centrics with Grey Knight and Leadsprite. Ours starts out different in the respect that, Fury ends up getting the Scepter tap instead of me; and the resulting conflict goes very differently.

“ Such as? “

     Cuyler (Clint Barton D14:) We never even hit New York; Fury tries to snag me in, and under the Stone’s influence that means trying to at best grab my kids since he’s one of the only two people attached who know about them. Loki ends up breaking form and getting in the middle of that. Yanks us off world and out of Fury’s sight, with the goods. That’s where we picked up with our first published bit ‘The Warming Stone’ anyways.

” Speaking of.. what do you think about the split from the original timeline? “

     Cuyler (Clint Barton D14:) I’m having a lot of fun with it myself. And I’m pretty sure Laura is somewhere outside the room clapping in agreement; she’s quieter than most but a constant presence and; she and Lo get along real well. Anyway. End up dealing with that whole ‘the city is flying, we’re fighting an army of robots; and I have a bow and arrow’ overwhelmed mentality a lot sooner because of it? I like the existential twists that come with the Dark Fairy Tale elements and whatnot that get thrown out there and right into our faces pretty much immediately, what with running face-first, on foot, into Jotunheim of all places through that doorway in Illinois. We did some collabs with the other guys that run through there, on top of the research and expanded on some of the wildlife ourselves to manage that? So that was some actual fun. This side of the pool I can absolutely admit us Bartons are a bit masochistic? *laughs* I am pretty sure we enjoy exploring those bits and how we’d react to them. I’m no different in that respect. I mean.. how would you react to being a dinner sized meal for labrador-to-great-dane sized snow-caterpillars with the elongated teeth of freakin shark? Or finding out the hard way there’s giant predator owls flying around about the size of a plane that eat those, just as an example? Never mind trolls, or frost giants, or anything else that manages to survive in that kind of insane climate and might decide to try and eat you just to see if you taste good.

” Probably stay inside forever if I was going to be honest? XD Anyway, Is there anything you’d change about your current story? “

     Cuyler (Clint Barton D14:) Considering we’re still building back there? Not yet. I mean, too much fun so far. I mean we’ve done what.. four parts at this point? All during what we’re currently calling the Traveler Phase from Earth to Asgard through the doors between Illinois, Jotunheim, and Vanaheim. Which is interesting in itself. I mean whole other world, and things are shaken up before we even get there and (in part because of the fact that) we end up dependent on our Loki pretty fast. I think maybe my only change there would be in maybe doing another part for Extras that includes ‘Ogre’ .. who hasn’t even shown yet at that point in the story. He’s our Bruce Banner; or more specifically our Hulk? Thing is finding a space that won’t interfere too heavily with the book when we do it though. We could excuse the bits in the Traveler Phase because we intended to shorten it when we got there anyway; maybe cut straight to Asgard with that as a supplemental extra; a lot like the GROUNDED kids did with their out-takes featured in the same platovember series.

“ I imagine messing with Universe Three’s next installment’s been helping that along? “

    Cuyler (Clint Barton D14:)  Oh yeah, definitely. That mirror of Bruce’s is pretty similar in mindset and approach.

” That said, do I have to ask if there’s anyone in particular you like to watch or get into reading over their shoulder when they’re at it? “

    Cuyler (Clint Barton D14:) Oh definitely The Bean right now, for sure? But there’s a list.. *grins* GROUNDED and DREAMS being woven together finally, especially with  some of the inter-universal roles being brought up is a big one. Looking forward to whipping out that sword.. heh. Though, watching the ESCAPE kids from the other forming Vestibule has been an interesting ride now that they’re not entirely cloistered in Tuscon, or their hotel room. I know what’s up there outside of Traverse too, which helps. And there’s Josh. I think everyone’s been waiting for that fireball to explode across the page? The fact Tony, Lo and Fury managed to somehow make that nutcase all on their own with just a few lines still makes me laugh. Walsh is a character and a half. I’m looking forward to getting my chance at screwing with his mirror in our Door. Leigh is a weird bit of fun too, but Josh is definitely one of those at the top of the list, and who you chose for a face in close rep, is interesting. Maybe Vix too as far as characters go? But he’d a little lower down for me at the moment.

“ Stab, stab pull..? Heh. Which is your favorite upcoming group from the books/portions of Mixology aka the Lokiverse at large? And which are you most curious about? “

     Cuyler (Clint Barton D14:)  Ha! yeah; stab-stab, pull. Loxley’s got an interesting bunch next door. *rubs his hands up over the top of his head and back down* Honestly, MONSTERS and ASHES. Ah, that’s Door and or Universes Three and Twelve for those that don’t know. Three has a similar bonding mechanic between Bruce and Lo I’ve been interested in, while ASHES hits on other things, including a rockier relationship and overall dynamic between his Bartons and Redbird (that’s his Quill) that tends to go dark in the personal aspects a lot. I guess I like that struggle between them, personally. Loxley brushes something similar going on post-Ronin with his family dynamic with his internals and his Lo’s concerns for that; but I think Lili and his crew hit that at a whole other angle from around five years prior on? With, a whole other take on the family dynamic that Laura and I have with Lo by the time we leave Asgard. And that’s curious to me.

” I put you guys through a lot of shit in the name of storytelling. Any parts you have complaints about? “ 

   Cuyler (Clint Barton D14:) None, planned or otherwise.

“ ..that was fast. “

   Cuyler (Clint Barton D14:)  What can I say? I enjoy the twisty shit, at least on this end of the pool. Ignoring the reservations, and dealing with the danger-fear of getting hurt in ways that can’t be fixed with stitches or band-aids, of accepting that kind of bond knowing how it started and risking the idea that finding out why might not make that danger less or that person better or more relatable than perceived to be able to accept them farther even after that investment?

  Cuyler (Clint Barton D14:) The contradiction of pride and ego versus conscience and the guilt when it belongs there getting in the way -and even dealing with when it should be toned down that results in having one,  even if it’s just a sliver in places and playing that out along with dipping into places mostly ignored or washed over in the Universes; is interesting and fun to me. Danger included. I have a little less guilt than my mirrors in a lot of directions that gets placed elsewhere after we come back to Earth; and I enjoy that dynamic and what we’re trying to explore there. That whole; ‘what if he was loyal, without he stone’s influence’ aspect, in our own flavor is a LOT of fun to play with. It’s a very different Universe, but holds hints and background pieces, and similarities enough, as well as the core; that it’s a feasable alternative to the canon line. Which is extra fun, for the personal aspects or ‘humanity’ we manage in the process? So no.. no complaints. Not yet anyways.. heh. We’ll see how I feel when you start actually touching actual, hands-on Gagnarok fixes and alternates though. Outside of that Cosmic-FrostIron bitty from a few doors down anyway. That’s gonna be a mess.

  “ Whee.. yeah. MONSTERS gets that honor first, most likely.. “

  Cuyler (Clint Barton D14:)  Good. Bean can handle that best, I think... or maybe worst. Either way it’s gonna be entertaining for me..

For those interested, Cuyler’s published stories are found below in chronological order (they were posted out of order in part because of the prompts themselves and some parts were planned ahead to take certain slots.) The title names are the links to each part.

The Warming Stone (part 1)

Fathers (part 4)

The Hart (part 2)

Between the Reds (part 3)

[crossdressingdeath]

Just a reminder that if you have time and feel like writing that post you mentioned about how you would rewrite each DBH character’s story given unlimited runtime, it would be very cool to read.

Ah, right. Quick note that I don’t know much about Connor’s machine path or the violent revolution path or any ending to Kara’s story that doesn’t involve successfully getting past the border guard so I will be skimming those parts of the story. Also it’s going to be pretty vague because Details Are Hard. (Also I’m tired so this is probably not going to make a lot of sense or be in any sort of reasonable order.)

Okay, general points first. I feel like the three stories should intersect more, even if only in a “seeing the aftermath of their actions” way; maybe Connor and Hank are sent to investigate Zlatko’s death after Kara and Alice have gone through, for example. You’ve got three protagonists active at the same time and they barely interact! Come on, give us a little conversation. And of course the public opinion system needs to be used a lot more; it only effects two things in the whole game, come on! It doesn’t impact any of the major human characters, and that just feels wrong. I’ll. come back to this in Connor’s section because I feel like it would be best used there (since there really aren’t many humans in the story outside of his parts and the ones who do show up have reasons to side with or against the deviants outside of public opinion), but if nothing else I’d like it to lead to us seeing humans demonstrating/fighting with the deviants. Also I would like to see at least a few examples of androids deviating peacefully, like Connor does; I don’t believe for a second that there weren’t androids who deviated in a place where they were surrounded by people who were with them all the way.

So, first off: Markus. Mostly I’d just want to extend the timeline a bit and add some more Jericho missions, because oh my god you cannot join an organization of people with no weapons or resources of any kind, become their leader, and successfully change society in less than a week. So just... more evidence of Markus slowly winning Jericho over and helping them gather supplies and resources. Show him helping them set up actual supply lines! Rescuing deviants! Winning over allies! Including human ones, because the idea that there isn’t a single human working with Jericho when pretty much every major human character is in fact on the deviants’ side is... dumb. Also, individual missions with North, Simon and Josh; it would be good to spend more time getting to know them, since as it stands it’s... kind of hard to care all that much when they die. I might also add short scenes where we see Connor’s targets arriving in Jericho if they survive, just to add more connection between the stories (and also I like them and wish more had been done with them). And make Simon a love interest (because this is a choice-heavy game and so I should be able to make the choice to play exclusively as gay androids if that’s what I want), and make it easier to avoid having a love interest; let’s not create a situation where entering into a relationship less than a week after gaining emotions is all but mandatory, hm? Also, maybe Markus should meet Kamski one time? As the guy fulfilling Kamski’s deviant-related plans? Come on, one meeting. Maybe clear up Kamski’s motivations just a bit. And, crossing over with Connor’s story, maybe a bit of stuff them both being part of the RK line and how it went from a caregiver android to a detective android. Oh, and change it so that you’re not guaranteed to have fatalities on the violence path, because insisting that only pacifism can possibly end happily when fighting against oppression seems kind of... not great, all things considered. Frankly given the androids’ combat abilities it kind of makes more sense to have unavoidable deaths on the pacifism route, or alternately to have different unavoidable deaths on both routes, but being admittedly a softy I am very happy to have it be possible to have no deaths on either route. I don’t necessarily expect it to be easy to save everyone (it might make sense to add in missions where you make preparations to increase their odds of survival, or do something similar to Simon’s possible death in Stratford Tower where one of other protagonists’ actions has an effect on the sequence of events), but it would be nice to have it be possible.

On to Kara; I mentioned this before, but instead of her story being a cute-but-boring game-long escort mission where you have to protect a small child who is entirely useless I’d give her a story about uncovering how deviancy works and the history of it. Whether it really is just a glitch or something more, what rA9 actually is... all that fun stuff. No idea how that would actually go, but it would be more interesting than just running to Canada. If nothing else we could get more backstory on how the hell Kamski managed to create androids who are so realistic that that they can develop emotions. And if it is just a glitch there can be more discussion on whether or not simulated emotions are as real as actual emotions, because the fact that they brought up the concept of deviant emotions being a simulation and did nothing with it just feels like a massive waste of potential. And I’d add some more ways to live; from what I understand it’s really hard to keep everyone alive unless you maybe possibly condemn a couple and their baby to freeze to death or get killed by a revolution and keep things peaceful in Markus’s story. While I do want more interaction between the stories, I don’t think your choices in one story should automatically lock you out of getting the best ending for one of the other stories (with the obvious exception of the situations where that actually makes sense; can’t get the best ending for Connor and Hank if Markus nukes the city while Hank is in it, for example). At least with Kara; her story is so separate from Markus and Connor’s that it doesn’t make sense for Markus’s actions to lock her out of escaping to Canada! Also, it adds nothing to the story to have Alice turn out to be an android and robs Kara of her close human companion who has a massive impact on her life; yeah, there’s Rose, but she’s in... what, two missions? That’s less than Karl, who has the additional story impact of having been Markus’s father figure for (if memory serves) years before the start of the game, so there’s no dynamic to build; it’s already there. Keep Alice human! It’s a completely pointless twist! ...I recognise that this does mean that Connor can get a young human girl killed by succeeding in stopping a deviant, but it wouldn’t take much to rewrite his run-in with Kara to not involve a chase across a freeway. Again, I’ll come back to this when I get to Connor’s section. But imagine the impact of things like Todd’s abuse and Zlatko’s section if Alice is human; showing that these villains don’t necessarily see androids and humans as different, but in a negative sense this time. Also, I’d like a sort of prologue to her story featuring the incident that got her broken and led to her being repaired at the start of the game.

And of course now we get to Connor, the best boy who deserves the best. I’ll start with the things I said I’d come back to. First, the public opinion system: imagine if Hank’s thoughts on deviants (instead of just changing for no apparent reason beyond a handful of meetings with people who generally kick his ass and then run away or die with at most a bit of conversation) could be altered by public opinion of the deviants’ cause. Even better; by that and his relationship with Connor. Picture a situation where Hank doesn’t trust or like deviants at all due to them running around killing people but still helps them because he wants to help Connor. It would just be very good. Also, since Connor is the only character hanging out exclusively with humans (what with the station full of cops he’s working out of): imagine more missions taking place (or at least starting) in the precinct where Connor can interact with his sort of coworkers and how the conversations with them could change as time passes and public opinion changes. Also again the possibility for a conflict between dislike of deviants and fondness for this particular android, just for fun. And, also just for fun, maybe a bit of character development for Gavin where he’s still a dick (because honestly he’d be less fun if he wasn’t) but if public opinion is high he’ll pretend not to notice Connor sneaking into the evidence locker and fucking around in there for a while when he really definitely isn’t supposed to. Come on, if you’re going to have heroic cops you could at least do something with more than one of them. Also, more Captain Fowler. All we know is that he and Hank are old friends and he’s totally okay with Hank beating the shit out of Perkins; all in all I’d like to know a bit more about him. And with Kara and Alice: the freeway chase works, sure, but I would like the option for Connor to at least try to save Alice; by this point Connor is already showing signs of software instability, if we change it so that Alice is human him putting the mission aside to save a little girl makes sense and gives us a good sense of who he is as a person, and it fits neatly into steadily escalating refusal to complete his mission that eventually reaches full deviancy. If I’m remembering the order right it’s Ortiz’s android (who you can’t let escape), Kara (who you can let go based on Hank’s orders), Rupert (who you can let go to save Hank), the Tracis (who you can let go just because), and then Markus (who you have to deviate to spare); changing it so that you can let Kara go to save a little girl she’s protecting fits the escalation (you could easily argue that Connor has something in his programming about saving human lives, and as one of his earlier missions shows him being specifically trying to save a little girl it makes a great deal of sense that he wants to protect Alice. Also like. Imagine having the option to push Alice out of the way of a car at the cost of Connor’s life. It would be very effective, I think. Also it’s another opportunity to make Hank like you because he would for sure react well to you saving a small child from getting hit by a car.

Alright, moving on; I’d like some more assignments with Connor before he joins the DPD and gets partnered with Hank, showing him actually earning the title of deviant hunter? Also that way we aren’t stuck with the conclusion that CyberLife decided to send their prototype out into the world to partner with the police in investigations after one mission, which said prototype may well have failed to complete. And we could show more of Connor struggling with what he’s being ordered to do but having no way of stopping himself due to a complete lack of any interaction with anyone with functioning emotions, except for maybe CyberLife technicians. Actually, I’d also like to see what it’s like for Connor going to CyberLife for repairs and debriefing and such, because I doubt it’s fun. Other than that... well, Connor’s story is pretty good all things considered, but there are a couple tweaks I’d make. Aside from the previously mentioned exploration of what it means that he and Markus are both part of the RK line, I’d maybe cap off the added early story for him by adding him being hesitant about turning in Ortiz’s android if you’ve been pushing for more software instability and only going through with it when it becomes clear that if he doesn’t all he’ll achieve is getting himself caught not doing his job, which wouldn’t be a good look. I feel like the most effective way to do it might be if it’s not under player control; if his software instability is high enough he’ll be uncertain about it, and if he’s not he won’t be. And if he is uncertain you could add some options to the interrogation where he can win trust by telling the android he was scared of what would happen to him if he didn’t turn him in (followed by him immediately insisting that that was just a cunning ploy and in no way true when pressed on the matter if he did it out loud and not through an interface). Also: why wasn’t it Hank who pushed Connor to deviate. You spend Connor’s entire story with Hank! He is Connor’s tie to humanity! Why does Connor deviate in one conversation with a complete stranger and not his dearest friend! I desperately want a situation where Hank learns too much or something and Connor is ordered to shoot him and you can either go through with it (killing Hank) or deviate and shoot whoever gave you the order instead. Also then there could be hugs. And maybe forehead kisses because please. Connor deserves a little smooch honestly. He’s earned it. And then if your relationship with Hank is low enough that he’s already dead at this point you can have the conversation with Markus. Also, I would love an addition to the machine path where if you have a high relationship with Hank you can choose to deviate before fighting him (instead of just walking away despite that preventing Connor from finishing his mission quickly) or to deviate after fighting him when he’s got Hank hanging off the edge of the roof. Think about it; a moment of horrified realisation where Connor’s software is finally pushed to the breaking point by having to choose whether or not he will kill his only friend for the sake of his mission where he’s left desperately asking himself what the hell he’s doing? Like, if nothing else it would hammer home the fact that at this point Connor is choosing to remain a machine (assuming his software instability is high enough) to have to choose it twice even at the cost of Hank’s life. Actually three times, because the initial choice would be before this point. Also going that way it would be possible to play through the machine path up to the fight with Hank and still net Connor’s best ending, which would just be nice I think. Also, more hugs. Hugs are good.

...Okay, that’s all I can think of for now. Also it’s uh. almost 1 AM here and sleep is in fact important. So I’m going to wrap up here; maybe I’ll make some more posts later if I think of anything else.

[hoardcloneheadcanons]

The Season 1 Villain: Mr. Blackwood

Summary [ A time travelling Martin Blackwood accidentally bullies his past counterpart and a young Jonathan Sims into getting together in order to gang-up on him]

 Yesterday Is Here is a time-travel fix-it fic of the Magnus Archives by CirrusGrey found on AO3 that I highly recommend. It helps emotionally cope with the tragedy of the actual series and it’s very well written.

I have my own ideas on what would happen in the fic if the time travel went slightly different and Martin showed up first, which now lives rent-free in my head as an AU to an AU. I’m hoping by writing it down I can free myself of it’s grip over me. If you don’t want spoilers for the fic, or seasons 1-4 of the Magnus Archives, stop here.

 In the fic Jon and Martin from the Archives have been married and survived the apocalypse together. Both use the Helen’s doors to travel back in time to season 1 of the Magnus Archives and prevent most of the tragedies from happening. Jon uses his spooky Archivist Powers to threaten Elias, extorting him for money and preventing the appocolypse. And both Martin and Jon dispose of the main villains of season 1 and 2.

But some shenanigans happened in Helen’s doors that make it so Jon shows up first and Martin doesn’t show up until two months later. Here’s my idea of what would happen if those positons got reversed.

-The Archival Staff call Future Martin Mr. Blackwood to differentiate him from their present-day Martin. I will also be doing so, from here on out.

-Jon is, of course, skeptical, and keeps insisting that this must be some long lost brother of Martin’s who is trying to scam them (Or even his father, despite Mr. Blackwood not looking much older than Martin). Mr. Blackwood proceeds to list small intimate details about each of them (how they take their tea, things that happened their last birthday. Stuff that would be very essentially Martin to know) but also sounds very impatient the entire time. He does not have time for Jon’s feigned skepticism and denial and does not hide it.

-It becomes clear very quickly to the Archival staff that Mr. Blackwood is a lot meaner than Martin. He doesn’t make tea for people unless he’s trying to corner them to talk to them, He’s willing to kill spiders rather than release them. Murder doesn’t seem that out of the question for him. And while both Martin and Blackwood are big people, Matrin Hunches and keeps his voice soft and tries to seem smaller. Blackwood does none of that and will push his way through people and/or loom sometimes.

-As a result Tim starts jokingly referring to him as the Anti-Martin. When Mr. Blackwood starts mentioning that there should be a Mr. Sims showing up, Tim insists on making a list of traits that he bets  Mr. Sims will have based on him being an “Anti-Jon”. The traits include: Wearing only bright colors, not-giving a fig about archive policy, believing all the statements (even the dumb ones), smiling, being nice to Martin, being social and (on a day where Jon was being particularly annoying) being cool.

-A few of them are totally off the mark, but many of them are actually frighteningly close to the truth.

-He ropes Sasha into it too. They decide together that Sims and Blackwood have a one-sided relationship where Sims is absolutely besotted and Blackwood either barely tollerates him or is seducing him for his Head Archivist pay.

(It’s funny because Jon isn’t making much more than any of the Archival Staff)

-Blackwood is fairly nice to Sasha who is reasonable and listens to relevant threats. Tim appreciates him for confirming and advancing the research he’s done on Robert Smirke and the Circus. But Martin and Jon hate him. He bullies them both in different ways.

-Blackwood keeps trying to convince his younger self to grow a spine, make some boundaries. He keeps trying to tell him that he can’t fix things by being nice to everyone. Martin does not appreciate it.

-Mr. Blackwood will occasionally talk like Martin’s Mum and it makes it hurt more. Not exact sentiments or sentiments but familiar phrasing and tones. Blackwood doesn’t know he’s doing it.

-Meanwhile Blackwood takes away all the “real” statements from Jon (the ones that won’t record on the computer) and spreading them out amongst the archive staff. He insists that reading them will turn Jon into an eldritch creature that feeds on human trauma and gives people nightmares. Jon thinks this is a load of absolute bull. (If you must read them, Jon, at least don’t read them outloud. Type them up or something. Don’t be stupid.)

-Jon’s the type of person who needs to know and asks all the uncomfortable questions, so having someone take away the only real information bothers him. Even if Tim, Sasha and Martin have the information it still bothers him to not know.

-Jon is also really insecure about deserving his job, and desperately trying to prove himself. So having a man burst in and tell him how to do his job stings.

-Mr. Blackwood also isn’t delicate when pointing out Jon’s skepticism is dumb. He says all the things Martin thinks but is too polite to say.

(”I’m sure there’s a very natural reason for Carlos Vittery to be wrapped up in spider webs upon his death”

“Are you serious? Jon, if you keep up this ridiculous denial you’re going to walk yourself right into something’s mouth just to prove a point. Or worse, send someone else into it. And you of all people should know supernatural spiders are dangerous.

“What do you mean, I of all people?”

“I think you know what I mean, Jon.”)

-Jon and Martin actually end up hanging out because they bond over their mutual dislike of Mr. Blackwood.

-Jon defends Martin agains Mr. Blackwood and vice-versa.

-The first time it happens, it’s Jon defending Martin and Mr. Blackwood acts surprised.

-(I don’t know why we should trust you. Even if all this supernatural nonsense is true there’s no reason we should take you’re word on how it works! You barge into the archives telling everyone what to do, fear mongering with tales of secret societies trying to cause the apocalypse, you upset Martin all the time “for his own good, you-”

“-wait, wait wait- Martin?” “When did you start caring about Martin?”

“What do you mean? He’s one of my archival assistants, of course I care about him.”

“Jon, you bully him more often than I do.”

“I-No I don’t.”

“You make it very clear what you think of his work and competence, Jon. And you send him to all the worst assignments. He let’s it happen because he knows he’s not the best at research, and he knows you’re under pressure from Elias, and he really tries not to take it personally, but it hurts him Jon. It builds up and it hurts him, even if he never says it does. So yes, forgive me if I think you’re being a bit hypocritical.”)

-Jon apologizes to Martin after that and really tries to be nicer because he does not like the idea that he’s as bad as Mr. Blackwood. He watches what he says around Martin a lot more closely after that, and keeps an eye on Martin’s reactions.

-Jon will tell Martin that he thinks he’s nothing he’s like Mr. Blackwood. He doesn’t see how they could be the same person. Martin is so caring, and helpful, and kind, and warm, and Blackwood isn’t. Jon is so wrapped up in his frustration that he does not know Martin is blushing as he says this. Martin suddenly has to go make a cup of tea. Right then.

-The next time it’s Martin defending Jon against Blackwood. Blackwood is happy that Martin is starting to assert himself but is exasperated that it’s only occuring because of his own failed attempts to get the archive staff to trust him. He suddenly wants his own Jon to come back so badly so he can tell him how ridiculous this entire situation is. So they can laugh together at how Blackwood advanced their younger counterparts’ relationship progress by at least 3 years by accidentally becoming the villain of their story, so Jon can tease him about it.

-The third time it’s Jon once again defending Martin, saying that Blackwood went too far, that he sounds like Martin’s mother and he made him cry. Mr. Blackwood realizes that, yeah he does absolutely sound like his mum and he has to leave and reasses his actions. He hadn’t realized he was picking up her specific way of critisizing-well-himself. It’s just how he talked to himself in his own head- which- well- which wasn’t great.

-Jon is so surprised that he managed to actually get one-up on Mr. Blackwood that he takes everyone out for drinks and insists on paying. Which is a nice distraction for Martin. 

-It also, Blackwood notices, means Jon is getting closer to his archive staff and hanging out with them. It gives him a bittersweet hapiness. He’s so happy that they’re all closer in this timeline, that he managed to force Jon into socializing and Martin and Jon to get close. But he realizes he did it by being the outsider and interloper that they’re defending against, and he’s not quite part of this new group of the archive staff. He’s happy for them, just lonely. Even Sasha and Tim, who he gets along with more than Jon or Martin, are wary to trust him. He’s not telling them everything. He has to fight against Elias without the aid of spooky Eye powers and he’s unsure of when Elias is listening, so he’s not mentioning everything. He’s not telling them who killed Gertrude Robinson. He’s being evasive on the reasons he does not trust Elias, and about what power succeded at causing the apocalypse.

-As the days go by with no sign of His Jon/ Mr. Sim’s coming back his old connection to The Lonely intensifies and he becomes able to turn invisible and go by unnoticed again. The archive staff notice that he becomes spookier and sadder and- slightly less human and it decreases their trust in him.

[Check My Blog for a Part 2. I am writing this in one sitting, but this particular document has become long enough.]

[mychemicalaromanticism]

things ive already established r on this post

besties this got so fucking long but heres a giant ramble about cherri

okay so. there are huge differences betwn cherri as a hyperviolent drac hunter and cherri as a friend of the four and cherri as the girls mentor. with the first one he was 17 and desperate to distance himself from his upbringing so he went all in on Being A Killjoy. he was always one of the first ppl to rush into a fight and he fought hard. he blew up his fuckin hand with that attitude. and all the while he was just racking up more unaddressed trauma and eventually he ran away from that, too. giving himself radiation poisoning was more appealing than facing his problems.

so as a teenager/young adult hes kind of constantly in a panicked state. hes scared the people from his past are going to find him and drag him back with them. so he lashes out and he runs away over and over again.

i said in another post that he has some past life shit goin on which usually would give him a connection to the witch that manifests early in life, but with all the stuff hes gone through he has been Preoccupied. he can become oblivious to almost anything that doesnt apply to whatever hes focused on. not in a hyperfocus way its likeeeeee. when u live on survival mode during prolonged periods of stress. hes immune to magic bullshit bc hes too tired and scared.

anyways around his mid-20s he finally has a little more stability (as much as the average person living in the zones can have, that is) and he finally notices that Weird Stuff happens around him. basically: out of my list of Powers People Connected To The Witch Have he has the prophetic dreams/enhanced intuition as well as a form of sensing ghosts where he can see auras and kind of like, echoes of past events in ppls lives. that look like auras. itz complicated and not of utmost importance so im leaving it at that.

anyways thats what makes him start writing poetry. just 4 funsies he'll describe his weird experiences and embellish them to make em pretty. just as a casual hobby n all that.

he would forget fun ghoul in between the times they ran into each other but its pretty easy to be reminded of who fun ghoul is. the most insane 10 year old cherri has ever met. cherri isnt a brother figure to ghoul. hes just. his friend that happens to be more than twice his age. its whatever lmao

to cherri, ghoul is kinda like a stray animal he keeps seeing. which is hilarious. ghoul actually goes and finds him to introduce him to jet when they start running together, and cherri meets party and kobra (spark and birdie at the time) when he drives the four of them to a party. because he has a truck hell yeah. so now instead of one stray animal he has, like, a feral cat colony that he drives around occasionally. i have no real-life human relationship equivalent to them because irl if some guy that is not related to any of you and isnt even a childhood or family friend and theyre hanging out with you? they are usually not a safe person lmao. but this is my fantasy land and im too stubborn to change anyones birth years even though ghoul being born in 2004 makes everything really hard to make not creepy.

so yeah hes a casual somewhat friend of the fab four. hed probably get more and more concerned as they got famous. the beginnings of any sort of protective feelings, awww :) that sets him up for becoming the girls mentor.

OH FUCK. THE GIRL..... i think if i was in my late 20s and i heard that the gang of 13-17 year olds had adopted a 5 year old kid i would go bananas. what the fuck. it is a LONG while before cherri meets her. but he has the strongest affection for ghoul (if you could even call it that) and ghoul absolutely adores the girl and swings her around under her arms like a cat to show her off to cherri and its very endearing and the girl is sweet and funny so its easy to be around her. and (unfortunately) she is somewhat used to interacting with weird easily agitated people so she kinda gives him space. cherri isnt quite the uncle figure the fandom usually makes him (i luv uncle cherri sm but he simply cannot exist in the universe ive created, f), but hes a little similar.

and then the four had to go and pretend to die. lol.

when the girl was kidnapped, fucking everyone who knew her was ready to storm the city then and there. like regardless of how little you knew her, if you had ever met her you would fucking die for her. she is pure childish charisma and shes precious. i love the girl. so cherris immediately on board with whatever plan the four make to get her back. ive already talked abt how it fucked up the girl tho; there was no way to tell her that the four werent actually dead, she sees the building collapse and she shuts down. and cherri has to fight against his instinct to leave the radio station and never come back when he sees an eight year old girl sitting dissociated on the couch. that fucks everyone up.

i just realized i havent talked about literally anyone else at the radio station. i think cherri started lingering around the station bc it was safe and sheltered while also not being a popular spot. there are less kids there (people pass through but its not a hangout spot). he was kind of just hanging around to get away from the heat and noise and dr d took notice. because that man can see ur soul and no one knows if thats literal or not. so theyd chat a few times a day and show pony was the one 2 get him out of his shell a little and also was the first one he mentioned his poetry hobby to. im making this all up right now as im writing bc i dont know anything about LITERALLY any of the ppl associated w the radio like im not even going 2 try with chimp n newsie i do not have the willpower to tackle all that. justttt. cherri pony n D become bros and live 2gether there.

back 2 the regular timeline. the rescue mission happens in 2019. the girl lives at the station until 2023. during that time she is very much depressed and withdrawn and is only happy when the four come to visit. none of the Adults know how to help her so they just keep her safe and cared for and hope she'll open up to them.

she does not. she takes the weird cat thats been hanging around and she runs away.

cherri does not see her for three years. shes still worse for wear in the mental health department and he can see all kinds of visions of what shes been through since the last time he saw her and he fucking hates the ultra vs bc they remind him of his past. he does not want her going down that path but its obvious that she isnt crazy abt the ultraviolence thing either so thats a relief.

they have a kind of tense relationship throughout the comics. he feels like he failed her and that spirals into feeling like he failed the four for not being a good adult to them and fun ghoul for not helping enough when his commune was bombed and all kinds of shit and that irrational thinking mixed with plain old, yknow, caring about the girl, is what makes him take a bullet (laser. whatever) for her.

i was trying to figure out the timing of each of their ghost experiences, but i want both of them to talk to the witch and im just gonna make it like dreams where a whole buncha stuff happens but irl its been like seconds. so its like barely a second while the girl has her Witch Convo and cherri FINALLY gets a straight answer, yes there is weird shit going on with him having powers. he doesnt have any story-significant past lives because im lazy, hes just an old soul. like really fuckin old. the amount of latent life experience and stuff his soul/energy/whatever has picked up along the way makes him VERY noticeable to gods n stuff. he fuckin lights up all the alarms like what the FUCK is that over there. she wasnt rly able to get to him or even properly notice him while he was a kid and a young adult so shes happy to finally see him again. he has a STRONG sense of familiarity with her. they know each other on a wild ass level that he cant really comprehend.

welp thats some more lore I'll have 2 think abt. anywayz

post canon is when he and val get to have the most awkward spiderman meme moment of realizing that they have the same trauma SOOOOO thatz fun lol /s sorry kings i thought it would be fun to give u something fucked up to bond over <3

not much changes in his personality. he has a better understanding of Weird Magic and delights in freaking out the ultra vs but for the most part he returns to his life at the radio station. i love him

THIS GOT SO CRAZY LONG I DID NOT MEAN 2 GO THROUGH EVERY PART OF HIS LIFE LIKE SOME WEIRD CHARACTER STUDY but here we are. this is basically a first draft like almost all of this is subject to change but u gotta start somewhere. so heres my start i love this guy. its probably obvious but i have not read ANY twitterverse killjoys stuff </3 maybe i will someday idk